net art, video, performance

Annie Abrahams

Writing Machines / Machines d’écritures








MCD #66 Machines d’écriture / Writing machines

Bilingue (English / french), 132 pages, 9€.

Disponible Available shop MCD

Serge Bouchardon chose Don’t Touch me for 10 Takes on digital litterature Page 25

Serge Bouchardon a choisi  Ne me touchez pas dans 10 Regards sur la littérature numérique. Page 33

Annie Abrahams begins at the beginning, that is, with intersubjective relationships – the affects and affections, as Spinoza would say. In short, she starts with ethics to better meet politics.
Excerpt from  The work of Annie Abrahams by Emmanuel Guez Writing and Performance Page 34.

Annie Abrahams commence par le commencement, c’est-à-dire par des relations intersubjectives – les affects et les affectations aurait dit Spinoza -, bref par l’étique, pour mieux retrouver la politique.
Extrait de L’œuvre d’Annie Abrahams par Emmanuel Guez Écritures et scènes Page 44. Lire l’article sur le site writingmachines d’Emmanuel Guez ou en .pdf



Writing, media and technology
_ Writing machines : literature in all its media
_ Friedrich Kittler: is there anyone in the machine?
_ Understanding McLuhan : between technology and art
_ I would like to be able to read N. Katherine Hayles in French…
_ The age of possibilities: short history of radiophonic times
_ Shattering timelines… of literary narratives

Writing, code and literature
_ Code and scripting languages: unreadable literature?
_ Exploring (de-)coherency: the dream life of digital letters
_ 10 takes on digital literature
_ SMS, QRcode… where does literature come in?
_ Writing for smartphones: about Fréquences – project for iPhone
_ Interview with Jean-Pierre Balpe

Writing and performance
_ The work of Annie Abrahams
_ Immediate auto-archiving as artwork
_ process, flow and sampling
_ Theater : between evolution and sanctification
_ Writing bugs
_ Breaking, a play written with Twitter
_ How did authorship die – and is it being resuscitated?
_ F.A.(A.)Q.: on the writing machines that are Facebook, Twitter, etc.
_ When filing becomes counter-writing

Writing and publishing
_ New formats for new forms of reading
_ Interview with François Bon
_ Web documentaries: a new form of multimedia writing?
_ New audiovisual writing: the « I » of the viewer
_ Do screenwriting machines exist?
_ Manipulations: the Web experience

_ Webography: 15 years of writing machines
_ Bibliography: 20 theory books on writing machines
_ Subscription / Distribution

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Annie Abrahams
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