Jasmina Založnik wrote an interesting text about “my work”. Printed and plastified it figures in my show Mie Lahkoo Pomagate (can you help me) , 21 October – 7 November 2014, Aksioma Project Space, Ljubljana.
Opening up a new zone for what was formerly called net art
“In the time satiated with hyperconnections, transformations of individual into dividual, and dispersed scenarios, which we skilfully manoeuvre through to pick out appropriate masks from a pool of supply, vulnerability appears to be crucial. It suggests a crisis of a certain diagram of sensitivity. And thus a multitude of its modes of expression and cartographies of meaning. As stated by Suely Rolnik*, refusal to be vulnerable stifles the desire to create and produces feelings of humiliation and shame that block vital processes. And this, of course, suggests that today the thematisation of encounter, chance, and responding to other beings is taking on also new dimensions. And precisely these dimensions are again and again, or better more and more, cropping out in Annie Abrahams’ work. It is not only about repeating the learned, fixed patterns of behaviour, even less so about an attempt to repeat. Rather, it can be perceived as a silent but distinct voice about potentiality – about diversions of our attention, our readiness to surrender, uncover, and know the potentiality of our behaviour and reactions. To overcome the established, prearranged models, we have to allow difference to step in. We have to see our own vulnerability, reveal the weakness, which seems to be more and more supressed, repressed … Take a step back, only to take a leap into the undefined, unknown, and unfamiliar. The world isn’t shaped – it is in the process of being shaped. In a process we enter as active participants. Indefiniteness, gapped with unfamiliarity, is perhaps scary, but at the same time endlessly exciting. The unfamiliarity of our own future. The unfamiliarity of any new and old relation. Instead of fearing or repeating them, the artist invites us to enter relations and situations attentively, to be able to discover and perceive new dimensions of potentiality. The beauty of an encounter, which is always hesitant, always open. It is an invitation.
Open structures and an invitation to enter. The artist’s work can thus be understood as “hacking”. An opening up of a new zone for what was formerly called net art. Which is now no longer caught in the virtual world and no longer investigates its impressions on reality, but howls into the space of the in-between, the real / the virtual, the past / the present. It calls for responsible, attentive, perceptive entering, reading, acting, reacting. Also when we are witnessing a past event, when we interpret materials, when we combine, connect, and “understand” them.”
Jasmina Založnik, July 2014 .pdf of original Slovene text
*http://fr.wikipedia.org/wiki/Suely_Rolnik – no English page available.
“Forget about post internet, about new aethetics and any other nomination; we are always in-between” (AA 20/10/2014)