Yesterday Oliwia Blawat included my piece wishes / voeux from 1999 in Ipertestualmente.org her space for hypertext based art. (thanks Oliwia)
She writes on her research : In my opinion hypertext is a complex structure built from nodes connected by hyperlinks that can be both textual and visual.It is a basic element of www and also of net art works (but not all of them). Hypertext consists in multiple number of links, it is only a framework that can exist both with data and without. The biggest problem of hypertext is that in the presence of complicated structure the content becomes less important and sometimes hypertext is difficult to read because the frame takes over data.
“The frame takes over the data?” and content becomes less important? Maybe that’s the way you can look at it now but at the time all was data, and all was content. It was often exactly the way content and form intertwined that made a lot of us interested in creating hypertext. (I remember for instance having the impression that I could finally experiment with representing “thought”.)
Also in new browsers some content became simply invisible : onmouseover=”self.status=’to start over again without continually facing the humiliations of prejudice’; return true”, ‘popups’ are often not allowed and hypertext on cellphones simply isn’t ergonomic. It’s not the same anymore. In 1999 we thought about human beings on the other side of the network, now we think in terms of information, likes and data flows.
In Dec. 2009 in Artistic Textual and Performative Paths in New Media Correlations: An Interview with Annie Abrahams by Evelin Stermitz, published in Hz #14, I talked about my first experiment in collectif writing like this :
This first collective writing project was a collection of wishes, that I proposed to “stocker, déposer, entreposer, deposit, lodge, gardienage, mise en forme, entretien, surveillance, keeping, conservation, maintenance, caring, storage, stock, shaping”. Some of these wishes were chosen to be html-ized either by me or by other volunteering net artists like [anachroma], Takuji Kogo, Tiia Johannson, Christophe Desgouttes, Elise Lefevre, Ted Warnel, Mildred Pierce or Tamara Lai. As html-izing at the time was writing code, this htm-lizing was the second writing layer of the project. A third existed in the possibility to write a personal email, unseen by the others, to an unknown wishing person.
Detail of the complete collection of wishes / voeux, presented as a digital print 148cm x 148 cm in Training for a Better World, exposition CRAC LR, Sète. 28/10/2011 – 01/01/2012.