utterings

https://utterings.hotglue.me/

news on our April workshops and performances soon

Filed under: networked performance, Performance, research, sound piece

Before The First online performance

In 2020, many people encountered online performance for the first time.
We asked some of our peers “When was your first online performance?”
BEFORE THE FIRST is a brief glimpse of the diversity of online performance created before 2020.
Compiled by Annie Abrahams, Helen Varley Jamieson and Suzon Fuks. Edited by Suzon Fuks.

With thanks to:
Gwendoline Samidoust, Lucie Desaubliaux, Muriel Piqué, Soyung Lee, Lily Robert-Foley, Gilson Moraes Motta, Atefeh Khas, Elaine Vaan Hogue, Alejandra Ceriani, Ximena Alarcon, Daniel Pinheiro, Emma Che Raethke-Martin, Christina Papagiannouli, Martina Ruhsam, Rosa Sanchez, Caroline Delieutraz, Jorge Rojas, Rebekah Wild, Miljana Perić, Alan Sondheim, Patrick Lichty, Roger Mills, James Cunningham, Johannes Birringer, Joseph DeLappe, Keith Armstrong, Karla Ptáček, Auriea Harvey, Jean-Marc Matos, John Hopkins, Nina Sobell, Antoinette LaFarge, Adriene Jenik and Paul Sermon.

We also made a pdf with more info on the works in the video

Download

DISCLAIMER

Filed under: networked performance, Performance, Video, Beforethefirst, Helen Varley Jamieson, Suzon Fuks

Utterings – We’re All Bats

Dec. 4 Transmission
attunement: https://youtu.be/6dBt3mJtgJc

18h30 – 18h55 London time. Nov. 20 and 27, and Dec 4 Utterings on We’re All Bats Listening Arts Channel.

19h30 – 19h55 Paris time.
Nov. 20 “New Language”
video archive https://www.facebook.com/wereallbats/videos/486990222279679 and on the wereallbats archive page.
Nov. 27 “Above Rationality”
Attunement: https://soundcloud.com/dpsr/andanconnerdercu-utterings-remix
video archive https://www.facebook.com/wereallbats/videos/3612235212170315 and on the wereallbats archive page.
Dec. 04 “Transmissions”
Attunement: a special patch made by Curt: http://lab404.com/audio/patches/synchronizelove.mp4
video archive https://www.facebook.com/424055461742483/videos/468268100824928 and on the wereallbats archive page.

Connect at the right time to We’re All Bats Listening Arts Channel or listen to us on their FB page.

Utterings = Annie Abrahams (FR), Constança Carvalho Homem (PT), Curt Cloninger (US), Nerina Cocchi (BE), Daniel Pinheiro (PT) & Derek Piotr (US).

Filed under: Event, networked performance, Performance, sound piece, above rationality, Listening Arts Channel, new language, transmissions, utterings, we're all bats

Video essay – Why is the use of videoconferencing so exhausting? – in JER

Why is the use of videoconferencing so exhausting? An analysis on the demands.
Video essay by ANNIE ABRAHAMS and DANIEL PINHEIRO.

Abrahams, A., Pinheiro, D., Carrasco, M., Zea, D., La Porta, T., de Manuel, A., … Varin, M. (2020). Embodiment and Social Distancing: Projects. Journal of Embodied Research, 3(2), 4 (27:52). DOI: http://doi.org/10.16995/jer.67

Video footage from Distant Feeling(s)

Traduction en français :
Pourquoi l’utilisation de la visioconférence est-elle si épuisante? Une analyse.
l’intimité est gênante
l’intimité est gênante
AUCUN APERÇU AUCUN APERÇU AUCUN
APERÇU AUCUN APERÇU AUCUN APERÇU
AUCUN APERÇU AUCUN APERÇU
PAS DE VUE D’ENSEMBLE
vous devez scanner l’écran en continu
interruption(s)
impossible de détecter des détails subtils
pas de détail
l’imagination remplace les signes secondaires de la communication et ceux-ci doivent être traités sur leur utilité
nous sommes enclins à vérifier notre propre image tout le temps comme si nous avions besoin d’une assurance continue que la connexion existe toujours
tout le son est mélangé dans un environnement sonore mono,
cela conduit à une compression de l’espace partagé,
nous devons deviner d’où vient le son
distraction(s)
toi, je et moi
une situation triangulaire dans laquelle nous nous sentons et nous regardons nous-mêmes et les autres …
c’est psychologiquement exigeant: notre cerveau doit traiter le soi comme corps et comme image
interruption(s)
vous ne voyez les visages de près que lorsque vous êtes bébé dans un berceau ou avec un amoureux au lit
vous ne voyez les visages de près que lorsque vous êtes bébé dans un berceau ou avec un amoureux au lit
il y a du délai
nous ne sommes jamais exactement dans le même temps / espace
Tout cela contribue à un épuisement.
Nous essayons de dépasser les limites des environnements artificiels sans prendre en compte ses spécificités.
Que se passe-t-il si nous supprimons les sens que nous utilisons le plus pour communiquer?
Et si nous fermons les yeux et ne parlons pas.
Qu’est-ce qui reste?

Svp si vous utilisez ce texte citez l’original :
Abrahams, A., Pinheiro, D., Carrasco, M., Zea, D., La Porta, T., de Manuel, A., … Varin, M. (2020). Embodiment and Social Distancing: Projects. Journal of Embodied Research, 3(2), 4 (27:52). DOI: http://doi.org/10.16995/jer.67

Filed under: Articles / Texts, Performance, research, Video, Daniel Pinheiro, Distant Feelings, JER, Journal of Embodied Research, video essay, zoom fatigue

The Big Kiss au festival accès)s( #20

09/10-12/12 The Big Kiss dans Melting Point*, expo Bel Ordinaire, Pau.
Curation Jean-Jacques Gay.

Et aussi: 09/10-08/11 Méthodologie / Protocole de travail, Constallations, Collectif 3G, Melting Point* la suite , expo, Médiathèque A. Labarrère, Pau.

Filed under: Exhibition, Performance, Video, accès)s(, Constallations, The Big Kiss

STWST48x6 MORE LESS Breathing

Breathing by Utterings*
Online Performance
STWST48x6 MORE LESS
Live-Stream + Screening in the Club Venue
Fri, Sept 11, 19:00 – 19:30
Stadtwerkstatt, Linz, Au.

If you want to assist connect at 18h55 to
https://zoom.us/j/93113189232 Pass: breath
View recommandations :
When you enter, your video and audio will be turned OFF, please leave it that way, if you click on the “up arrow” next to your camera icon ((lower left-hand toolbar) your VIDEO SETTINGS can be accessed, go to “video settings”, click the box “Hide non-video participants”. Then the performers only will be visible. Select “Gallery View” in upper right corner of the ZOOM window to see the group.

Respiring … respiring, suffocating, holding the breath, gulping, panting, wheezing, gasping, sighing, puffing, inhaling, exhaling … inhaling, exhaling.

STWST48x6 MORE LESS
48 Hours Distributing Less.

With the 6th edition of the 48-hour showcase extravaganza, Stadtwerkstatt asks questions about the more-or-less situations, the counter-validity zones and the non-zero-sum games of the future. It is all and nothing about rational and irrational approaches in larger contexts, driven by questions of MORE, LESS, and above all of the OTHER.

Start: Fri, Sept 11, 18:00
End: Sun, Sept 13, 18:00

*Utterings is Annie Abrahams (FR), Daniel Pinheiro (PT), Constança Carvalho Homem (PT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US).

Filed under: networked performance, Performance, Constança Carvalho Homem, Curt Cloninger (US), Daniel Pinheiro, Derek Piotr, Nerina Cocchi, sound

The Big Kiss reperformed

Happy that my piece The Big Kiss from 2008 will be reperformed by Thomas Geiger in the 4th Festival of Minimal Actions on the 25th of July at 18h.
Kunsthalle Wien, Reumannplatz, July 15–August 2, 2020

Concept: Thomas Geiger
Realisation: Kunsthalle Wien as part of KISS
Curated by: Laura Amann, Anne Faucheret, Aziza Harmel, WHW

“As part of KISS, Thomas Geiger will realize a new edition of his Festival of Minimal Actions (previously staged in Brussels, 2014; Paris, 2015 and San José, 2018). In what could be considered a reawakening of performative works, Geiger creates situations that deal with the possibilities and impossibilities of physical interaction, affection, intimacy, and romance in public space during periods of pandemic…

…The festival – the main premise of which is a belief in the independence of performative works from their authors – brings together a concise selection of works by other artists that Geiger will reperform at Reumannplatz. Through the changed social, political, and temporal contexts between their original performance and this one, the works gain additional facets and shed some of their original aspects.”
Extracted from the exhibition text by Laura Amann, 2020.

https://bram.org/toucher/TBK.html

Reperformed will be original works from Annie Abrahams (NL) • Breda Beban (SRB) • Sergio Rojas Chaves (CR) • Anetta Mona Chisa (RO) & Lucia Tkacova (SK) •  Dora Garcia (ESP) • Vitya Gluchenko (UKR) • Javier González Pesce (CL) • Igor Grubic (HRV) • Satoshi Hashimoto (JP) • Adrien Missika (FR) • Cesare Pietroiusti (IT) • Neža Knez (SK) • Jiří Kovanda (CZ) • Donna Kukama (SA) • Alina Lupu (RO) •  Ewa Partum (PL) • Charlotte Seidel (DE) • David Sherry (UK) • Yann Vanderme (FR).
All original performances are describes at the festival’s website.
I wish I lived in Wien for a few days.

Courtesy Kunsthalle Wien & Thomas Geiger.

Filed under: Performance, Festival of Minimal Actions, KISS, Kunsthalle Wien, Laura Amann, reperformance, The Big Kiss, Thomas Geiger

“HUG” in the Nieuwstraat Festival.

My score
HUG:
When walking somewhere in the street
Just stop and stand still
Put your arms around yourself and hug yourself.
When you feel comforted you may continue your walk.

Has been performed with scores from 19 other artists in The Nieuwstraat Festival that took place on June 20, 2020, between sunrise and midnight. The Nieuwstraat is an average street in the center of Dordrecht, the Netherlands.. The performances were performed by volunteers, unannounced and without explanation.

Written reactions from the performers of HUG is all that is archived of this piece.

The Nieuwstraat Festival fits in a series of Unnoticed Art Festivals organised by Frans van Lent.

Filed under: Performance, Frans van Lent, Hug, Nieuwstraat Festival, Unnoticed Art

Pandemic Encounters

On Saturday, May 23rd, 12pm ET-US – 18h CEST Paris time I will be participating in
Pandemic Encounters
Pandemic Encounters is a Networked Performance Installation by Paul Sermon in collaboration with Randall Packer, Gregory Kuhn, the Third Space Network and Leonardo Laser talks.

Other action-performers: Clarissa Almeida (Brazil), Roberta Buiani(Canada), Andrew Denton (New Zealand), Bhavani Esapathi (UK), Tania Fraga (Brazil), Satinder Gill (US), Birgitta Hosea (UK), Charles Lane (US), Ng Wen Lei (Singapore), Marilene Oliver (Canada), Serena Pang (Singapore), Daniel Pinheiro (Portuga), Olga Remneva (Russia), Toni Sant (UK), Rejane Spitz (Brazil), Atau Tanaka (UK)

If you want to assist online you have to register :
https://www.crowdcast.io/e/pandemic-encounters

excited to work with layering … as a place to connect (or not)

This is the soundfile I prepared:

Filed under: Event, networked performance, Performance, Paul Sermon, Third Space Network

utterings by andannercondercu

Tuesday Mai 5th, 21h – 23h Paris time.
find your own time

Duration 2 hours.
Where? Here:
https://us02web.zoom.us/j/85727069289

Zoom recommandations :
When you enter, your video and audio will be turned OFF, please leave it that way, if you click on the “up arrow” next to your camera icon ((lower left-hand toolbar) your VIDEO SETTINGS can be accessed, go to “video settings”, then click the box “Hide non-video participants,” which will then feature performers only, eliminating all of the non-participant video boxes in the gallery view. Select “Gallery View” in upper right corner of the ZOOM window to see all performers at once.

Utterings is a networked performance and research group whose members gather online and, while blindfolded, engage in utterings as communication. They want to create an on the fly “new” language, that forwards attention, trust and affects, above rationality.
Utterings is a collaborative attempt to go beyond the borders and closures created by languages, opening up and transgressing these in a performance that probes meaning through pre-language communication and formerly un-inhabited expressions.
In Utterings communication is not approached as a transmission of information, ruled by code or abstract conventions, but as connection through affection, attention, glitches, delays and even voids.

Members of Utterings are Annie Abrahams (FR), Daniel Pinheiro (PT), Constança Carvalho Homem (PT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US).

Filed under: networked performance, Of interest, Performance, research, sound piece