net art, video, performance

Annie Abrahams

appearance | əˈpɪər(ə)ns |

26 September – 24 October 2020
APPEARANCE
Online exhibition, Upstream Gallery Amsterdam.
Curated by Josephine Bosma.

Image: Amy Alexander, What The Robot Saw (still) (2020)

Participating artists:
Addie Wagenknecht, Annie Abrahams & Daniel Pinheiro, Amy Alexander, Claudia Del & Jaume Clotet, Evelina Domnitch & Dimitry Gelfand, Knowbotiq Research, Nancy Mauro-Flude, PolakVanBekkum, Stephanie Syjuco, Valentina Gal, Winnie Soon

Online Opening, Saturday September 26th, 17.00 (CEST)
Location: http://www.upstream.gallery.

Josephine Bosma (1962) is a freelance critic and theorist working in the expanded field of art and new media. She is specialized in art and the Internet, and lectures and publishes internationally. In 2011 NAi/Institute for Network Cultures published Josephine Bosma’s book Nettitudes – Let’s Talk Net Art. 

Filed under: Exhibition, , , , ,

Temps Suspendues

Exposition Temps Suspendus
Plateforme
73 rue des Haies
75020 Paris France

Du 10 au 27 septembre 2020
Vernissage jeudi 10 septembre de 17h à 22h

Avec Annie Abrahams Rencontre Pandémique, son 4.50 min., Mathieu Arfouillaud, Lucie Belarbi, Ludovic Bernhardt, Stefan Brion, Philippe Calandre, Dominique Clerc, Romain Cogitore, Mikael Dufresne, Jean-Baptiste Grangier, Emmanuelle Gibello, Fanny Gosse, Young Chan Ko, Chloé Mossessian & Henry Mittnacht, Johan Parent, TTY and Eric Vernhes

Samedi 26 septembre de 17h à 22h Perfomances/lectures MyOwnDocumenta.

Filed under: Exhibition, sound piece, , ,

Lockdown – Rencontre Pandémique

Photo made during the performance in the Third Space Network

August 01 2020 – 01 September 2020
LOCKDOWN
Vernissage 01/08/2020 19h.
4 Rue de Trupet,
La Trimouille, 86290 France.
L’entrée n’est pas autorisée sans masque.

A T E L I E R M E L U S I N E will reopen its doors to visitors with the exhibition LOCKDOWN. This specifically curated show features work by Carl Abrahamsson, Annie Abrahams, Annett & Annett-Parish, Nadia Perrotta and Lesly Pierrepaul. It deals with experiences connected directly to the COVID 19 pandemic; confinement in a digital age, suffocation and the salvation of breath and breathing, the reality of suffering from poor political leadership during a crisis and the mystical elements around illness and hypoxemia.

Une fois la porte fermée, on est confronté au bruit troublant d’une personne qui s’efforce de respirer et à un rythme cardiaque rythmé mais déformé… Inutile de dire que ce n’est pas un espace confortable. …
… Ici, dans cette galerie, le processus normalement inconscient de la respiration est soudain au premier plan, au centre et urgent dans sa “nullité” râpeuse.
Review by Elizabeth Stewart.

Dans Rencontre Pandémique, son, 4.50 min, Annie Abrahams a mélangé ses respirations avec des battements de coeur déformés générés par ordinateur. Le fichier sonore a été utilisé le 23 mai 2020 dans Pandemic Encounters, une installation de performance en réseau de Paul Sermon en collaboration avec Randall Packer, Gregory Kuhn, le Third Space Network et les conférences de Leonardo Laser.

Filed under: Exhibition, sound piece, , ,

Hadaly & Sowana, Cyborgs & Sorcières – espace Gantner.

Visuel par Nadia Diz Grana

Angry Women Take 1 sera présenté dans l’exposition Hadaly & Sowana, Cyborgs et Sorcières à l’espace Gantner, Bourogne.
Vernissage : 12 oct. 17h.
Commissaire Cécile Babiole.

L’exposition réunit des artistes qui questionnent les technologies au sens large et leur rapport au corps.
Ces artistes, Annie Abrahams, Caroline Delieutraz, Camille Ducellier, Lynn Hershmann, Kaori Kinoshita et Alain della Negra, Albertine Meunier, Julie Morel, Aniara Rodado, Tabita Rezaire, Christine Tamblyn, Suzanne Treister, Stéphane Degoutin, Agathe Joubert, Lola Perez-Guettier et Gwenola Wagon réinventent les figures de la cyborg ou de la sorcière, comme autant de symboles de puissance, de résistance, d’ironie et d’utopie.

Angry Women Take 1 Extrait (6’14”) Avec Annie Abrahams, Lucille Calmel, Julie Chateauvert, Caroline Delieutraz, Suzon Fuks, Helen Varley Jamieson, Inès Kchaou, Ienke Kastelein, Olga Kisseleva, Laurence Moletta et Paula Roush.
Angry Women est un projet de Annie Abrahams.
Développement interface : Estelle Senay – théatre Paris- La Villette.
Assistance technique: Bérénice Belpaire.
Co-production : Labomédia Orléans, résidence dans le cadre de Géographies Variables.

Filed under: Exhibition, Video, , ,

3G Constallations #10 + méthodologie

One year ago we: the group 3G(enerations) Alix Desaubliaux, Pascale Barret and Annie Abrahams, started a research project called Constallations. Using challenges and surprises, we defied each other in nine sessions of what Annie called contemporary net art, Pascale a non-binary inclusive laboratory and Alix performative & collaborative explorations.

ISELP, Institut d’Art Contemporain, invited 3G to come to Brussels for their 10th, this time real-life, session.
Saturday, Mai 25, 16h you are welcome to meet the three artists and Sandra Bébié-Valérian of OUDEIS at the Boulevard de Waterloo in Brussels.
Sandra will give a short talk where she analyses the project in the frame of OUDEIS’ Autorama project. Pascale, Alix and Annie will present their recently written Methodology of Constallations* and will try to translate it’s essence to the real space of the exhibition Waiting to blossom *Constallations by Pascale Barret.
Could be an object, a performance, a reading, a text, an installation …. or a mix of all this.

Constallations is devoid of a goal and has no predetermined path. Constallations is what we are when we give up our personal objectives and, when, based on our own history and skills, we tackle a challenge prepared by one of the group.
Constallations is made of travels through things one doesn’t control, of jumps in the void. Constallations is an exploration full of unexpected discoveries.

Constallations is a learning tool / a practice radically open to everything.
Constallations is a concrete utopia – on a small scale, and temporary, it must be said – but it is, and so carries a hope for a different society.
It’s a perspective.
Constallations is a path, an adventure, a chemistry, a soup that upsets habits and creates links.

Wall installation Constallations à L’ISELP

* The Methodology of Constallations will also be available in English and French on the Constallations website after the 25th.

Filed under: Event, Exhibition, , , , , , , ,

Digital Canon (1960–2000) of the Netherlands

Nice to find out my work Being Human (1997 – 2007) is part of the Digital Canon (1960–2000) of the Netherlands, yes!
With among others Michel Waisvisz, Martine Neddam, Peter Struycken, JODI, Peter Luining, Jan Robert Leegte, Steina, Jeffrey Shaw …

The Digital Canon was compiled by LIMA media art platform in 2018, in collaboration with Josephine Bosma, Martijn van Boven, Annet Dekker, Sandra Fauconnier and Jan Robert Leegte.
The primary objective of the project is to add these digital works to the collective cultural memory and to fuel the discussion about the selection and preservation of digital art. 

Experts from the field of digital culture selected twenty of the most prominent and influential works made on Dutch soil by artists who lived or worked here over a long period of time.

Being Human is the name of a collection of dynamic, interlinked, net specific works in which Annie Abrahams explores the possibilities and limits of online communication.

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Filed under: Exhibition, Net art, Of interest, , ,

Waiting to blossom * Constallations expo.

Constallations est invitée dans l’exposition de Pascale Barret à l’ISELP arts contemporains à Bruxelles.
Vernissage 28 mars à 18h30 avec Music for a Code: performance de Pascale Barret avec Anne Bernard et Tristan Droillard à 19h et 20h.
Exposition du 29 mars- 8 juin 2019.
L’ISELP, Boulevard de Waterloo, 31 B-1000 Bruxelles.

Constallations, un projet 3G(enerations) : Annie Abrahams (Montpellier), Pascale Barret (Bruxelles) et Alix Desaubliaux (Lyon). Trois artistes, trois femmes, trois générations, se retrouvent en ligne pour un projet de rencontre où le faire est utilisé comme instrument pour défaire sa propre réflexivité, sa subjectivité systématisée et pour se lire les unes à travers les autres afin de générer des moments créatifs et inattendus.

Filed under: Exhibition, , ,

Web Retro – I only have my name.

I Only Have My Name | 나는 내 이름만 가지고 있을 뿐이다 (1999)
Annie Abrahams| 애니 아브라함스
will be presented in
WEB-RETRO / 웹-레트로 展
12 March – 9 June 2019.

web retro Seoul Museum of Art

This exhibition focuses on the World Wide Web, which has been fundamentally reconditioning communication, image production, consumption and artistic practice for the last 30 years, and revises the new arts that have been tried through the net historically.

An exhibition to commemorate the 30th anniversary of World Wide Web and to illuminate the works and activities based on the internet / experimental works of art using the internet as the form and environment of art.
The purpose of the online archive is to construct a topographical map that can explore the contemporary, cultural, and technological context of internet art, to supplement the exhibition of art galleries contextually and to share information about the flow with a longer breath. 

200 Works of 167 artists, ranging from past attempts at internet art to recent art works based on network and online, are classified by period to provide a foundation for deeper research.

SeMA 립미술 Seoul Museum of Contemporary Art, Seoul 2, Project Gallery 2.

Filed under: Exhibition, , , , ,

De-centralized Web?

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The Big Kiss (2008) and Angry Women (2012) are shown together with Michael Szpakowski’s, House and Garden (2009) during the Decentralized Web Summit in San Fransisco.

August 1st and 2nd,
San Francisco Mint,
88 5th Street, San Francisco, CA.

For Ruth Catlow, who curated Furtherfield’s screening room as a part of the “creative track” programmed by Sam Hart and Mindy Seu for DWS, these 3 artworks exemplify an attitude to artmaking particular to the Web before the great centralisation – these are works that speak from the origins of the P2P movement, a time in which communities began to form around new modes of networked interaction.

The Internet Archive’s Decentralized Web Summit is dedicated to creating the web we want [and the web we deserve]. We are convening those who want to build a web that…
Remembers. Forgets. That’s safe. That cares about people. That’s a marketplace. That’s a public square. That learns. That’s magical. That’s fun. A web with many winners. A web that’s locked open for good.

Filed under: Exhibition, Of interest, , , , ,

Cultural Matter: Olia Lialina

Olia Lialina‘s distributed Summer GIF will be exhibited in the Cultural Matter program of LIMA Amsterdam.

24 Nov. 2017 – 3 Jan. 2018.
24 Nov. 8pm. Opening.

I am happy to be distantly part of this – I am swinging with Olia since 2013 http://bram.org/olia/summer.

At LIMA, this leading artwork will see itself in a new site specific presentation that will be enriched with documentation material. During the exhibition two public events will take place to shed light on both the art historical and material implications of the work.

…. The animation’s 18 still images are located on 26 different websites, with each site redirecting the browser from one server to the next, displaying the images in sequence, thus creating a cross-domain animation. ….

Cultural Matter is a series of exhibitions and events that provides a platform for the international discussion of digital art and aims to develop new strategies for the presentation and preservation of these artworks.

Filed under: Exhibition, Net art, , , ,

Upcoming

  • 08/10 16h Distant Movements at NODE 20, Frankfurt am Main. Invited by Naoto Hieda.
  • 09/10-12/12 The Big Kiss dans Melting Point*, expo Bel Ordinaire, Pau.
  • 18h30 – 18h55 London time. Nov. 20 and 27, and Dec 4 Utterings on We’re All Bats Listening Arts Channel.
  • Ongoing Constallationss

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Annie Abrahams
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