net art, video, performance

Annie Abrahams

Utterings – We’re All Bats

Nov. 27 Above Rationality attunement:
https://soundcloud.com/dpsr/andanconnerdercu-utterings-remix
Makes me want to be very rational.

18h30 – 18h55 London time. Nov. 20 and 27, and Dec 4 Utterings on We’re All Bats Listening Arts Channel.

Nov. 20 and 27, and Dec 4, 19h30 – 19h55 Paris time.
Nov. 20 “New Language
Nov. 27 “Above Rationality
Dec. 04 “Transmissions

Connect at the right time to We’re All Bats Listening Arts Channel or listen to us on their FB page.

Utterings = Annie Abrahams (FR), Constança Carvalho Homem (PT), Curt Cloninger (US), Nerina Cocchi (BE), Daniel Pinheiro (PT) & Derek Piotr (US).

Filed under: Event, networked performance, Performance, sound piece, , , , , ,

Distant Movements at NODE

Do you want to join us to examine what it means to «dance together» in an environment where bodies are entangled with machines?

Join us Oct 8 16h CEST for a 20 min long Distant Movements session in the frame of the Choreographic Coding Lab Online meetup organised by Naoto Hiéda for NODE20.

8/10 16h – 16h20 Paris time

Distant Movements @NODE projected in Naxos Greenhouse

Online. Open to all.

You will be guided into movement by Daniel Pinheiro, Muriel Piqué and Annie Abrahams.
We will priviledge:
an inner gaze / body awareness
slowness, in order to favor the perception of the experience
awareness of the presence of others, even if you don’t see them – the session will be recorded – an eye (the webcam) looks at you all and unites you in the interface.

You can’t do anything wrong

screencapture of the session

We will start with an activation of the body through “balancing” with the eyes open – we will close our eyes …

During the last 10 minutes only qualitative incentives:
don’t forget to breathe
your toes move too
remember flexibility

More information on the Distant Movements research project here.

Filed under: Event, networked performance, Of interest, research, , , , ,

STWST48x6 MORE LESS Breathing

Breathing by Utterings*
Online Performance
STWST48x6 MORE LESS
Live-Stream + Screening in the Club Venue
Fri, Sept 11, 19:00 – 19:30
Stadtwerkstatt, Linz, Au.

If you want to assist connect at 18h55 to
https://zoom.us/j/93113189232 Pass: breath
View recommandations :
When you enter, your video and audio will be turned OFF, please leave it that way, if you click on the “up arrow” next to your camera icon ((lower left-hand toolbar) your VIDEO SETTINGS can be accessed, go to “video settings”, click the box “Hide non-video participants”. Then the performers only will be visible. Select “Gallery View” in upper right corner of the ZOOM window to see the group.

Respiring … respiring, suffocating, holding the breath, gulping, panting, wheezing, gasping, sighing, puffing, inhaling, exhaling … inhaling, exhaling.

STWST48x6 MORE LESS
48 Hours Distributing Less.

With the 6th edition of the 48-hour showcase extravaganza, Stadtwerkstatt asks questions about the more-or-less situations, the counter-validity zones and the non-zero-sum games of the future. It is all and nothing about rational and irrational approaches in larger contexts, driven by questions of MORE, LESS, and above all of the OTHER.

Start: Fri, Sept 11, 18:00
End: Sun, Sept 13, 18:00

*Utterings is Annie Abrahams (FR), Daniel Pinheiro (PT), Constança Carvalho Homem (PT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US).

Filed under: networked performance, Performance, , , , , ,

utterings – Network Music Festival

July 15, 20h Paris time.
Utterings, second in line for the opening concert of
Network Music Festival.
“Sound without borders.” Online 15-18th July 2020.
We will be live here: http://live.networkmusicfestival.org/

Exploring innovative digital music, art and research which investigates the impact of networking technology on musical creation and performance practice, Network Music Festival presents cutting edge musical performances, workshops and discussions.

Features a diverse array of music including browser-based performance platforms, video-conferencing collaboration, live coding, live scores, laptop ensembles, networked physical devices, AI bots, VR environments, mobile apps and much, much more. The performers span the globe and are based in more than 24 countries. Programme.

NMF looks to support artists and audiences alike. All the concerts will be free to view, but donations on a Pay What You Can principle are accepted. All donations will go directly to artists.

Utterings is a networked performance and research group composed of Annie Abrahams (FR), Daniel Pinheiro (PT), Constança Carvalho Homem (PT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US).

Filed under: Event, networked performance, ,

Video Vortex Reader III – Distant Feeling(s)

Video Vortex* Reader III

Edited by Geert Lovink and Andreas Treske

INC reader #14

Institute of Network Cultures, Amsterdam 2020.

Download it here, as e-pub, pdf or print-on-demand (via Lulu): https://networkcultures.org/blog/publication/video-vortex-reader-iii-inside-the-youtube-decade/

Contributors: Annie Abrahams, Ina Blom, Natalie Bookchin, Pablo deSoto, Ben Grosser, Adnan Hadzi, Judit Kis, Patricia G. Lange, Hang Li, Patrick Lichty, Geert Lovink, Gabriel Menotti, Sabine Niederer, Dan Oki, Aras Ozgun, Daniel Pinheiro, Rahee Punyashloka, Oliver Lenore Schultz, Peter Snowdon, Andreas Treske, Colette Tron, Jack Wilson, Dino Ge Zhang.

A silent, yet sentient, relational encounter, materialized as a telematic embrace where nothing seems to happen and where the lack of apparent action has transformed into the transposition of the concept of agency and a potential way for fighting alienation. …

Distant Feeling(s) highlights in its genesis and continuity the need to feel/sense presence and suggests a pragmatic approach for reshaping a consciousness on kinship resorting to available technological tools which have been transforming its meaning.

Page 185-193. Distant Feeling(s) Annie Abrahams & Daniel Pinheiro.
We describe the genesis and history of this performance series where in an online interface, that normally is used for videoconferencing we spend time together eyes closed and not talking.

* Founded in 2007, Video Vortex is a lively network of artists, activists, coders, curators, critics, and researchers linked by the exchange of ideas, materials, and discussions both online and offline. The first Video Vortex reader came out in 2008, followed by a second in 2011. This third anthology covers the turbulent period from Video Vortex #7 (2013) in Yogyakarta, across the meetings that followed in Zagreb, Lüneburg, Istanbul, Kochi, and finally Malta in 2019.

Filed under: Articles / Texts, networked performance, , , , , , ,

Pandemic Encounters

On Saturday, May 23rd, 12pm ET-US – 18h CEST Paris time I will be participating in
Pandemic Encounters
Pandemic Encounters is a Networked Performance Installation by Paul Sermon in collaboration with Randall Packer, Gregory Kuhn, the Third Space Network and Leonardo Laser talks.

Other action-performers: Clarissa Almeida (Brazil), Roberta Buiani(Canada), Andrew Denton (New Zealand), Bhavani Esapathi (UK), Tania Fraga (Brazil), Satinder Gill (US), Birgitta Hosea (UK), Charles Lane (US), Ng Wen Lei (Singapore), Marilene Oliver (Canada), Serena Pang (Singapore), Daniel Pinheiro (Portuga), Olga Remneva (Russia), Toni Sant (UK), Rejane Spitz (Brazil), Atau Tanaka (UK)

If you want to assist online you have to register :
https://www.crowdcast.io/e/pandemic-encounters

excited to work with layering … as a place to connect (or not)

This is the soundfile I prepared:

Filed under: Event, networked performance, Performance, ,

utterings by andannercondercu

Tuesday Mai 5th, 21h – 23h Paris time.
find your own time

Duration 2 hours.
Where? Here:
https://us02web.zoom.us/j/85727069289

Zoom recommandations :
When you enter, your video and audio will be turned OFF, please leave it that way, if you click on the “up arrow” next to your camera icon ((lower left-hand toolbar) your VIDEO SETTINGS can be accessed, go to “video settings”, then click the box “Hide non-video participants,” which will then feature performers only, eliminating all of the non-participant video boxes in the gallery view. Select “Gallery View” in upper right corner of the ZOOM window to see all performers at once.

Utterings is a networked performance and research group whose members gather online and, while blindfolded, engage in utterings as communication. They want to create an on the fly “new” language, that forwards attention, trust and affects, above rationality.
Utterings is a collaborative attempt to go beyond the borders and closures created by languages, opening up and transgressing these in a performance that probes meaning through pre-language communication and formerly un-inhabited expressions.
In Utterings communication is not approached as a transmission of information, ruled by code or abstract conventions, but as connection through affection, attention, glitches, delays and even voids.

Members of Utterings are Annie Abrahams (FR), Daniel Pinheiro (PT), Constança Carvalho Homem (PT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US).

Filed under: networked performance, Of interest, Performance, research, sound piece

Utterings online performance

31/03 at 18h30 Paris time (CET, GMT+1)
Find your time here.
Online.
Duration 40 min.

If you are interested in attending as a listener please send a private email to one of the members and you will be invited.

Utterings is a collaborative attempt to go beyond the borders and closures created by languages, opening up and transgressing these in a performance that probes meaning through pre-language communication and formerly un-inhabited expressions.
In Utterings communication is not approached as a transmission of information, ruled by code or abstract conventions, but as connection through affection, attention, glitches and even voids.

Members of Utterings are Annie Abrahams (FR), Daniel Pinheiro (PT), Constança Carvalho Homem (PT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US).

Filed under: Languages, networked performance, Performance, , , , , , ,

Utterings – soundperformance for audioblast #8

On the 22nd of February 16h30 Paris time during the festival Audioblast #8, Utterings sera diffusé en direct en ligne et sur un système de spatialisation radiophonique installé à la Plateforme Intermédia, 4 Boulevard Léon Bureau, 44200 Nantes. Organisation APO-33.
Online listen here: Concerts en ligne. 22-23/02 2020.

Utterings is a project by Annie Abrahams (FR) and Daniel Pinheiro (PRT) with Constança Carvalho Homem (PRT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US) as invited artists and collaborators.
Technical assistance: Jan de Weille.
Since this event Utterings is a band.

Utterings is a sound-only networked performance experiment where six artists commit to a 30 min long exchange across distance. The artists gather online and, while blindfolded, they engage in utterings as communication, building on solo’s, duo’s, chorals and silence, creating an on the fly “new” language, that forwards attention, trust and affects above rationality. Six sound streams (no instruments used) are interlaced and entangled in one single polyphonic composition shared live in the audioblast program. The protocol for this performance will be written collectively in the week before the performance.

Protocol and references for Utterings here: https://annuel2.framapad.org/p/r.d6b50a58404bb8269f53ffe00d5a14ff (Pauline Oliveros, Mikhail Bakhtin, Andrei Bely, Maree Cunnington, Michel De Certeau, Andrea Olsen, Meredith Monk, Maurizio Lazzarato and the bible.)

Website Utterings

testing blindfolds

As an individual it is very difficult to address the problems related to all kind of global emissions. Of course you can act privately, but we need more.
Utterings is a collaborative attempt to go beyond the borders and closures created by languages, opening up and transgressing these in a performance that probes meaning through pre-language communication and formerly un-inhabited expressions.
Communication not as transmission of information, ruled by a code or abstract conventions, but connected with affection and attention will counter data imperialism and rationalist exploitation.

how to go beyond glossolalie? what will be the intention? is attunement enough? if we manage to avoid meaning we may discover something
Martine Neddam: Glossolalia is ‘dancing with words’. Dance first, before moving beyond dancing.
Igor Stromajer: An extremely intriguing concept. Who knows, perhaps you don’t even have to go beyond glossolalia. If glossolalia is done “right”, it already goes beyond … itself.

Mikhail Bakhtin has a posse!

Audioblast is a festival de création sonore utilisant le réseau comme lieu de diffusion, il se compose de nombreuses pratiques audio en réseau, de musique expérimentale, drone, noise, field recordings, poésie sonore, électroniques et musiques contemporaines.

Curt Cloninger is an artist, writer, and Associate Professor of New Media at the University of North Carolina Asheville (US). His art has been featured in the New York Times and at museums, galleries, and festivals from Korea to Brazil. His fifth book, “Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art,” is forthcoming from Punctum Books as part of Erin Manning and Brian Massumi’s 3Ecologies Immediations series. His writing and art may be accessed at lab404.com, playdamage.org, and deepyoung.org.

Nerina Cocchi is an Italian theatre artist and translator based in Brussels, Belgium. A 2019 recipient of Bourse Claude Etienne, a fellowship for emerging Belgian playwrights, she took part in the Arctic Circle Residency and sailed in the Arctic region in 2019. Co-artistic director of inoutput, an international group of artistic creation, she also works as assistant producer for Belgian dance company Dame de Pic/Cie Karine Ponties and is the author of “THE WArDROBE”, an operatic film to be released in 2020-21.

Derek Piotr (b. 1991) is a Poland-born producer and composer based in New England, whose work focuses primarily on the human voice. His work covers genres as diverse as glitch, leftfield pop, chamber, dance, and drone; and is primarily concerned with tenderness, fragility, beauty and brutality. derekpiotr.com

Constança Carvalho Homem studied Modern Languages and Literatures at the Faculty of Arts of the University of Porto. She completed her Masters in Text and Performance Studies with Distinction at King’s College London and RADA. In recent years, she sought the offshoots of a Grotowski-inspired unified stage practice, having trained with Matej Matejka, Thomas Richards/Mario Biagini and Maud Robart. 
Porto-based, she works as translator, dramaturg, performer and director. Radio plays and improvised music are two major interests. Of her recent collaborations, she’d highlight 2019’s Hysteria

Annie Abrahams, artist and performer based in Montpellier France, investigates the possibilities and limits of communication under networked conditions. She is known worldwide for her netart and collective writing experiments and is an internationally regarded pioneer of networked performance art. bram.org

Daniel Pinheiro, performer and visual artist based in Porto, Portugal has been developing work in the field of Telematic Art mostly as a resource to discuss and reflect upon the impact of technology on everyday life. daniel-pinheiro.tumblr.com

Daniel and Annie work occasionnally together since 2014.

Filed under: Event, networked performance, Performance, sound piece, , , , , , , , ,

Du centre au milieu – invitée à Grenoble.

29-30/01 2020 “du centre au milieu”, Workshop ReadingClub et Mouvements à Distance, SFR Creation*, Université de Grenoble Alpes.

Introduction 60 min.
Reading Club et expériences licritives à partir de … Lily Robert-Foley, Department of Reading, Arkadiusz Koselak, Anna Wierzbicka, Victor Petit et Bert Peeters.
Mouvements à Distance** chorégraphies visiophoniques. Pouvons-nous arriver à un guidage collectif – un guidage par le milieu ? Suite de l’expérience du 14 déc. à la Biennale de Lyon. (youtu.be/yn0PomJOwNQ)

L’imaginaire nous a fait danser autrement dans cet atelier. Nous n’avons pas trop expérimenté le ressenti du corps. Etait-ce une façon d’aller du centre au milieu ?

Le moment le plus impressionnant : Un cours de conduit par Jeannie à partir de son propre vocabulaire de personne se déplaçant en fauteuil roulant. Très intéressant. Nous étions obligées d’inventer quoi/comment faire pour suivre la guidance. C’était à nous de nous adapter, pas à elle. Merci Jeannie pour ce déplacement.

Photo : La chaise longue dans le cours de conduit.

Et voici le compte rendu de l’atelier en entier en .pdf. (déroulé, d’autres photo’s, captures d’écran du ReadingClub etc.)

* Implantée au cœur de l’Université Grenoble Alpes, la Structure Fédérative de Recherche Création (n° FED 4269) est dédiée au développement de nouvelles pratiques et expérimentations en recherche-création.

** Mouvements à Distance est un satellite du projet Distant Movements avec Muriel Piqué et Daniel Pinheiro.

Filed under: Collective writing, networked performance, Workshop, , , , , ,

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