sound / son Alix Desaubliaux (thanks)
text / voice Annie Abrahams
poem issue de bram.org/pwem
Filed under: Collective writing, e-literature, poetry, sound piece, Alix Desaubliaux, electronic music, gedicht, Nederlands, pwem
May 5, 2022 • 2:30 pm 1
sound / son Alix Desaubliaux (thanks)
text / voice Annie Abrahams
poem issue de bram.org/pwem
Filed under: Collective writing, e-literature, poetry, sound piece, Alix Desaubliaux, electronic music, gedicht, Nederlands, pwem
October 9, 2021 • 1:42 pm Comments Off on Tāctus ADAF, utterings performance & Distant Movements workshop+performance.
21/10 19h Paris time, in length we find release, 60 min. Utterings performance.
24/10 15h Paris time, Distant Movements, 90 min. workshop + performance. Registration closed, but you can join us here for our performance, 17h Paris time, 6pm Athens time.
Filed under: networked performance, Performance, sound piece, Workshop, ADAF, distant movements, utterings
May 1, 2021 • 2:21 pm Comments Off on COVID E-lit
COVID E-lit exhibition. May 1st 2021 Opening.
Included is Pandemic Encounter by Annie Abrahams and Breathing by Utterings.
Annie Abrahams | Pandemic Encounter.
Breathing is usually an unconscious process shared by all persons, but during the pandemic, it has become a common source of anxiety. This audio track exteriorizes the raw, raspy discomfort of our new reality. It mixes the artist’s respiration; computer-generated, distorted heartbeats; and a sound piece called “Silences” by Frans van Lent, which captures the silences of twenty artists from all around the world.
Utterings | Breathing.
Confronts the viewer with a “being” that is the result of an intricate, active, interlaced communicative structure in which both humans and machines are involved in a process of shared auditory exchange and attention. Through the mixing of six audio and video streams emerges an image of a phantom-like breathing, pulsating entity that thrives through affection, attention, glitches, delays and even voids.
Filed under: e-literature, Exhibition, Net art, networked performance, sound piece
February 23, 2021 • 12:58 pm Comments Off on utterings workshop and performances
April 4 Weaving Triggers
April 11 ! {Tricks & Habits}
April 18 Patatuning
5.00 – 6.30 pm UTC, workshop
6.30 – 7.00 pm UTC, performance
The guided workshop will culminate in a 30 min performance, open to all.
Are you interested to join us in the workshop?
Please book asap on the We’re All Batts website here.
Places for the workshop are limited to 6.
Participation is free.
Any questions? Don’t hesitate to contact me.
Filed under: networked performance, Performance, research, sound piece
August 28, 2020 • 6:04 pm Comments Off on Temps Suspendues
Exposition Temps Suspendus
Plateforme
73 rue des Haies
75020 Paris France
Du 10 au 27 septembre 2020
Vernissage jeudi 10 septembre de 17h à 22h
Avec Annie Abrahams, Mathieu Arfouillaud, Lucie Belarbi, Ludovic Bernhardt, Stefan Brion, Philippe Calandre, Dominique Clerc, Romain Cogitore, Mikael Dufresne, Jean-Baptiste Grangier, Emmanuelle Gibello, Fanny Gosse, Young Chan Ko, Chloé Mossessian & Henry Mittnacht, Johan Parent, TTY and Eric Vernhes
Filed under: Exhibition, sound piece, Pandemic Encounter, Plateforme, rencontre pandémique
July 26, 2020 • 1:24 pm Comments Off on Lockdown – Rencontre Pandémique
August 01 2020 – 01 September 2020
LOCKDOWN
Vernissage 01/08/2020 19h.
4 Rue de Trupet,
La Trimouille, 86290 France.
L’entrée n’est pas autorisée sans masque.
A T E L I E R M E L U S I N E will reopen its doors to visitors with the exhibition LOCKDOWN. This specifically curated show features work by Carl Abrahamsson, Annie Abrahams, Annett & Annett-Parish, Nadia Perrotta and Lesly Pierrepaul. It deals with experiences connected directly to the COVID 19 pandemic; confinement in a digital age, suffocation and the salvation of breath and breathing, the reality of suffering from poor political leadership during a crisis and the mystical elements around illness and hypoxemia.
Une fois la porte fermée, on est confronté au bruit troublant d’une personne qui s’efforce de respirer et à un rythme cardiaque rythmé mais déformé… Inutile de dire que ce n’est pas un espace confortable. …
… Ici, dans cette galerie, le processus normalement inconscient de la respiration est soudain au premier plan, au centre et urgent dans sa “nullité” râpeuse. Review by Elizabeth Stewart.
Dans Rencontre Pandémique, son, 4.50 min, Annie Abrahams a mélangé ses respirations avec des battements de coeur déformés générés par ordinateur. Le fichier sonore a été utilisé le 23 mai 2020 dans Pandemic Encounters, une installation de performance en réseau de Paul Sermon en collaboration avec Randall Packer, Gregory Kuhn, le Third Space Network et les conférences de Leonardo Laser.
Filed under: Exhibition, sound piece, Atelier Melusine, Pandemic Encounter, Sally Annett
April 28, 2020 • 6:13 pm Comments Off on utterings by andannercondercu
Tuesday Mai 5th, 21h – 23h Paris time.
find your own time
Duration 2 hours.
Where? Here:
https://us02web.zoom.us/j/85727069289
Zoom recommandations :
When you enter, your video and audio will be turned OFF, please leave it that way, if you click on the “up arrow” next to your camera icon ((lower left-hand toolbar) your VIDEO SETTINGS can be accessed, go to “video settings”, then click the box “Hide non-video participants,” which will then feature performers only, eliminating all of the non-participant video boxes in the gallery view. Select “Gallery View” in upper right corner of the ZOOM window to see all performers at once.
Utterings is a networked performance and research group whose members gather online and, while blindfolded, engage in utterings as communication. They want to create an on the fly “new” language, that forwards attention, trust and affects, above rationality.
Utterings is a collaborative attempt to go beyond the borders and closures created by languages, opening up and transgressing these in a performance that probes meaning through pre-language communication and formerly un-inhabited expressions.
In Utterings communication is not approached as a transmission of information, ruled by code or abstract conventions, but as connection through affection, attention, glitches, delays and even voids.
Members of Utterings are Annie Abrahams (FR), Daniel Pinheiro (PT), Constança Carvalho Homem (PT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US).
Filed under: networked performance, Of interest, Performance, research, sound piece
February 12, 2020 • 7:20 pm Comments Off on Utterings – soundperformance for audioblast #8
On the 22nd of February 16h30 Paris time during the festival Audioblast #8, Utterings sera diffusé en direct en ligne et sur un système de spatialisation radiophonique installé à la Plateforme Intermédia, 4 Boulevard Léon Bureau, 44200 Nantes. Organisation APO-33.
Online listen here: Concerts en ligne. 22-23/02 2020.
Utterings is a project by Annie Abrahams (FR) and Daniel Pinheiro (PRT) with Constança Carvalho Homem (PRT), Curt Cloninger (US), Nerina Cocchi (BE) and Derek Piotr (US) as invited artists and collaborators.
Technical assistance: Jan de Weille.
Since this event Utterings is a band.
Utterings is a sound-only networked performance experiment where six artists commit to a 30 min long exchange across distance. The artists gather online and, while blindfolded, they engage in utterings as communication, building on solo’s, duo’s, chorals and silence, creating an on the fly “new” language, that forwards attention, trust and affects above rationality. Six sound streams (no instruments used) are interlaced and entangled in one single polyphonic composition shared live in the audioblast program. The protocol for this performance will be written collectively in the week before the performance.
Protocol and references for Utterings here: https://annuel2.framapad.org/p/r.d6b50a58404bb8269f53ffe00d5a14ff (Pauline Oliveros, Mikhail Bakhtin, Andrei Bely, Maree Cunnington, Michel De Certeau, Andrea Olsen, Meredith Monk, Maurizio Lazzarato and the bible.)
Website Utterings
As an individual it is very difficult to address the problems related to all kind of global emissions. Of course you can act privately, but we need more.
Utterings is a collaborative attempt to go beyond the borders and closures created by languages, opening up and transgressing these in a performance that probes meaning through pre-language communication and formerly un-inhabited expressions.
Communication not as transmission of information, ruled by a code or abstract conventions, but connected with affection and attention will counter data imperialism and rationalist exploitation.
how to go beyond glossolalie? what will be the intention? is attunement enough? if we manage to avoid meaning we may discover something
Martine Neddam: Glossolalia is ‘dancing with words’. Dance first, before moving beyond dancing.
Igor Stromajer: An extremely intriguing concept. Who knows, perhaps you don’t even have to go beyond glossolalia. If glossolalia is done “right”, it already goes beyond … itself.
Mikhail Bakhtin has a posse!
Audioblast is a festival de création sonore utilisant le réseau comme lieu de diffusion, il se compose de nombreuses pratiques audio en réseau, de musique expérimentale, drone, noise, field recordings, poésie sonore, électroniques et musiques contemporaines.
Curt Cloninger is an artist, writer, and Associate Professor of New Media at the University of North Carolina Asheville (US). His art has been featured in the New York Times and at museums, galleries, and festivals from Korea to Brazil. His fifth book, “Some Ways of Making Nothing: Apophatic Apparatuses in Contemporary Art,” is forthcoming from Punctum Books as part of Erin Manning and Brian Massumi’s 3Ecologies Immediations series. His writing and art may be accessed at lab404.com, playdamage.org, and deepyoung.org.
Nerina Cocchi is an Italian theatre artist and translator based in Brussels, Belgium. A 2019 recipient of Bourse Claude Etienne, a fellowship for emerging Belgian playwrights, she took part in the Arctic Circle Residency and sailed in the Arctic region in 2019. Co-artistic director of inoutput, an international group of artistic creation, she also works as assistant producer for Belgian dance company Dame de Pic/Cie Karine Ponties and is the author of “THE WArDROBE”, an operatic film to be released in 2020-21.
Derek Piotr (b. 1991) is a Poland-born producer and composer based in New England, whose work focuses primarily on the human voice. His work covers genres as diverse as glitch, leftfield pop, chamber, dance, and drone; and is primarily concerned with tenderness, fragility, beauty and brutality. derekpiotr.com
Constança Carvalho Homem studied Modern Languages and Literatures at the Faculty of Arts of the University of Porto. She completed her Masters in Text and Performance Studies with Distinction at King’s College London and RADA. In recent years, she sought the offshoots of a Grotowski-inspired unified stage practice, having trained with Matej Matejka, Thomas Richards/Mario Biagini and Maud Robart.
Porto-based, she works as translator, dramaturg, performer and director. Radio plays and improvised music are two major interests. Of her recent collaborations, she’d highlight 2019’s Hysteria
Annie Abrahams, artist and performer based in Montpellier France, investigates the possibilities and limits of communication under networked conditions. She is known worldwide for her netart and collective writing experiments and is an internationally regarded pioneer of networked performance art. bram.org
Daniel Pinheiro, performer and visual artist based in Porto, Portugal has been developing work in the field of Telematic Art mostly as a resource to discuss and reflect upon the impact of technology on everyday life. daniel-pinheiro.tumblr.com
Daniel and Annie work occasionnally together since 2014.
Filed under: Event, networked performance, Performance, sound piece, apo-33, audioblast, concert en ligne, Constança Carvalho Homem, Curt Cloninger, Daniel Pinheiro, Derek Piotr, Nerina Cocchi, utterings
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