net art, video, performance

Annie Abrahams

Ours Lingages – Documentation

Ours Lingages
Performance by
Annie Abrahams concept, script, reading, singing

with
Daniel Pinheiro computing, dancing, singing, video editing
Isabel Costa dancing, reading
Igor Stromajer {0§n–3¦é×F= Miá†} soundpoem in Portuguese
Outranspo – Lily Robert-Foley, Camille Bloomfield and Jonathan Baillehache reawriting
Jan de Weille reawriting
Rui Torres translation
Helen Varley Jamieson tchat queen
Anna Tolkacheva live video capturing
Public volunteers holding Isabel Costa upside down
All breathing

21/07 2017 10.15 PM, Mosteiro de São Bento da Vitória, Porto,
Electronic Literature Organisation conference ELO 2017.

Announcement

Script .pdf

We nooses tous des bastardi elettronici che usano lingue globali cinematographic archive of the readingclub session.

internetMae

Read the rest of this entry »

Advertisements

Filed under: Collective writing, Conference / lecture, e-literature, Performance, , , , , , , , , , , , ,

Frauen Theater Festival


Freitag 10.11.2017

16 Uhr        Performance: UNAUSSPRECHBARLICH – Annie Abrahams, (NL/FR) & Helen Varley Jamieson (NZ/GE).

4:30 pm      Forum: Women in movement; the challenge of integration: Body, language and immigration.

Antagon Halle, Orberstrasse 57, Frankfurt am Main.

Ones body and language also create ones identity. The role of the women differs from country to country and region to region. In the present moment of immigration, this silently accepted role suddenly is questioned. How does the concept of the woman change within different countries? How can these women, who are moving away from their homeland, react to this question? How do we, as women, move within the cosmopolitical world? To get to know another culture creates challenges, that we can only face individually.

The performance of the artists Abrahams and Jamieson deals with exactly this experience to live in between different cultures and in other countries.
Invited for a conversation: Annie Abrahams (biologist, net-artist and pioneer of thenetworking performance-art from Netherlands), Helen Varley Jamieson (writer, theatre-maker, digital artist from New Zealand and member of the board of Magdalena Project), Violeta Luna (performative artist and activist from Mexico, living in San Francisco), Ute Bansemir and Ewgenija Weiß (director of „theaterperipherie“).

Filed under: Conference / lecture, Of interest, Performance,

Addictive Behaviours – interview

annie-abrahams3

For the new Furtherfield website’s “debate” section Ruth Catlow and Marc Garrett asked me to reflect on the limits and potentials of art and human agency in the context of increased global automation.

Addictive Behaviours: Interview with Artist Annie Abrahams

Triggered by their questions I talked about the difficulty to describe my artistic work in institutional contexts and how in a conversation with a friend I tried to explain my interest in Agency Art. Using this term means being able to make cross sections through disciplines and opening up closed domains of practice. I also talk about a lack of res-ponsability in online affect management and my mistrust in the influence of algorithms produced by  machines themselves.

The interview is part of an editorial series, alongside the Are We All Addicts Now? exhibition, book, symposium and event series at Furtherfield.
Are We All Addicts Now? Is an artist research project led by Katriona Beales.

In the same series there is also a delicious prose-poem-hex from artist and poet Francesca da Rimini (aka doll yoko, GashGirl, liquid_nation, Fury) who traces a timeline of network seduction, imaginative production and addictive spaces from early Muds and Moos.

Filed under: Articles / Texts, , , , , , , , , , , , ,

Apparatus_is {Other-s}

include_body

01/11 19h Paris time
Online

Apparatus_is {Other-s}

Readingclub session for

SCRIPTING THE OTHER,
a pavilion of The Wrong Biennale,
Nov 1, 2017 – Jan 31, 2018.
Curated by Noemata.

Reariting / licriture session
with
Renee Carmichael, Emmanuel Guez, Nick Montfort and Zombectro.

Based on a text by Annie Abrahams.
Duration 20 min.

You can join us on Wednesday the first at 19h in the readingclub.fr.
Find your time here.

yield_void

Look at the moving archive here .
Read the interesting “bar-talk” text from the tchat here.

Proposed text: apparatus .pdf.

Filed under: Collective writing, Event, networked performance, Performance, , , , , , , , ,

Faces Graz unaussprechbarlich

faces2

Freitag, 13.10.2017 um 19:30 Uhr.
Schaumbad – Freies Atelierhaus Graz
Puchstraße 41
8020 Graz, Österreich.

Wir sind eingeladen für Faces: gender, art, technology – 20 years of interactions, connections and collaborations Ausstellung und Symposium.

Performance “Unaussprechbarlich”.
Mit Helen Varley Jamieson in Graz, Osterreich und Annie Abrahams in Montpellier, Frankreich verbunden durch eine Webcam.
Mehr Information über die Veranstaltung am Freitag hier.

faces
More information about the Faces network.

More information on unaussprechbarlich .

Filed under: Performance, , ,

L’entrelangue à trois

LEtrois

Samedi 28 Octobre, 20h – 21h
Rencontre performatif
+ after discussion.
Entrée et prix libre, buffet participatif.

Espace o25rjj, l’art contemporain chez l’habitant,
chez Pascale Ciapp et Thomas Andro (merci),
25 rue Jean Jaurès, 34140 LOUPIAN.
06 10 02 97 23 / 04 34 80 21 42

Comme une personne qui ne s’identifie ni absolument à un sexe, un lieu ou une langue, comme une traduction déboussolée par l’intrusion d’une tierce langue, l’Entrelangue est un chantier de l’incompréhension.

Nous avons commencé par une rencontre, un rassemblement, une assemblée de deux et ensuite trois êtres: Annie Abrahams, Lily Robert-Foley et Christophe Beyler. En cela l’entrelangue est comparable à un système qui ne se voudrait pas finir à deux, comme un système de genre ou de sexe qui s’exprimerait mal confiné au binaire: l’homofemme, la femmomme, la famâle, le malelle, le mascinin, ou le femulin, l’hom’man ou la womme.

La langue en traduction, le genre en transition, autrement dit, démantèlent les structures qui lient les mots aux choses, les discours aux réalités. C’est parmi les morceaux éparpillés que les performances de l’Entrelangue commencent.

quatre-cinq.jpgPreparations avant.

8 photos de la performance sur flickr

Après réaction de Christophe dans un e-mail à Annie et Lily: Cela suppose, tout comme dans l’analyse, la rencontre d’une langue dans la confrontation d’une autre et la faire passer à d’autres, dans le va-et-vient de l’entre-deux-langues, d’une langue à l’autre, où trébuche ce qui grince, ne va pas et où l’imprévu se faufile au travers des nuances. Expérience de l’étranger. C. Fontana
Cristina Fontana, Graciela Strada «Transcription d’un séminaire de Lacan : une expérience de cartel», Essaim 2001/1 (no7), p. 161-169.

Filed under: Performance, , , , ,

Understanding block chain ?

This email is there to try to pen down some of my very visceral negative reactions to Plantoid – The Birth of a Blockchain-Based Lifeform (p 51 -61) in Artists Re:thinking the Blockchain https://liverpooluniversitypress.co.uk/products/100826 (it’s a great book).

Let me first say that Plantoid is a great project, because it makes some implications of the Blockchain technology very evident and poses a lot of questions.

P 54 “All code deployed on a blockchain comes with a guarantee of execution, by engaging with a Plantoid, people are contractually bound to, and cannot deviate from the rules stipulated into the underlying smart contract code.”
Building a Plantoid is done by humans, of course they can deviate … and if not, they are stupid to participate and become slaves… (maybe there is something I don’t understand here)

P.55 “The Plantoid continuously monitors its Bitcoin balance and whenever it realizes, that a particular threshold has been reached, the Plantoid will be able to use this money to initiate it’s own reproduction”
A Plantoid has no conscience as far as I know, so I don’t think it can realize something – It’s  calculation and rules that trigger an action – a Plantoid isn’t living. Being made of code and rules is not the same as having a soul.

P 58 ” Indeed, the DNA of every Plantoid, that is, all the logic and rules that govern its growth and reproduction are recorded on the Ethereum blockchain. These may include certain distinctive aesthetic or physical requirements ….. that will affect the scope of creativity and the room for discretion left to the artists commissioned to produce the next Plantoid.”
So Plantoid seems to be conservative, reinforcing the characteristics it started with.

Artists will have to make propositions for the next level Plantoid within the rules and logic on the blockchain. Contributors can vote the for these by sending micro-transactions to the Bitcoin blockchain of their choice. All will be weighted by the amouths contributed and the smartcontract will process it and establish a winner.
Grrrrrr, automatised decissions Grrrrr anything can come out of such a thing Grrrrr, no discussion, the winner is not necessary what is wished for …

P 59 ” ….the reproduction process, the evolution of Plantoids follow a Darwinist approach” ….
Does it? Darwinism changed a lot over time.
The essential concept of “mutation” (for evolution) doesn’t seem to have a place in the Plantoid blockchain project. Mutation would mean a change of code, an intervention in the basic rules and logic of the blockchain and that seems to be impossible …. Adaption to the environment is not the same as mutation!

P 60 “Each Plantoid is forever and inextricably connected to both its ancestors and its descendants, with whom it can communicate through a shared blockchain-based network.”
I vigorously disagree with the use of the word “communicate” here. Even if it’s use could be correct, it is misleading because of our day to day use of the word. The block-chain based network exists for us to see, to conceptualise, but a Plantoid can not communicate inside it. Plantoids are part of a chain, network of rules and logic, they don’t exchange inside it. Information is linked, coupled, that’s all.

GRRR
winners and so losers, determined by calculation only
conservative
not living at all
GRRR

That’s what I understood

Best

( “”I hate blockchain plantoids by O’Khaos – that’s probably why they are great”,
Email to the netbehaviour mailing list Sept 25 2017 )

original_75436a5f-cda5-4e5a-9887-51eefc788e8f

Filed under: Articles / Texts, Of interest, , , , ,

Qu’est-ce et pourquoi agency art ?

meq-1168x35012/10 18h
Conférence festival Mèq
Festival international d’art numérique performatif
hTh Centre Dramatique National
18h Chateau du domaine de Grammont
avenue Albert Einstein
Montpellier.
Durée 50 min.
logohTh

Dans sa conférence, qui sera performative, Annie Abrahams montrera et confrontera son art dans son état d’agence sociale et politique sans vraiment savoir où ça nous amène et si ça nous amène quelque part, mais en sachant que ça ne peut être autrement.

Annie Abrahams développe ce qu’elle appelle une esthétique de l’attention et de la confiance. Pour sonder la le comportement humain elle utilise aussi bien la vidéo, la performance, l’écriture, l’installation que l’Internet. Elle questionne les possibilités et les limites de la communication, dont elle explore plus spécifiquement les modalités propres au réseau. Elle est internationalement reconnue pour son netart, ces expériences en écriture partagée et en tant que pionnière de la performance en réseau.

#PEAE = #Participative #ethology in #artificial environments #ethnological approach #AgencyArt ?

#EPEA = #Éthologie #participative dans des #environnements #artificiels
approche #ethnologique #AgencyArt ?

MobiusAnime

Dossier de presse Mèq festival.

Link to the document used in the presentation.

7 photos  https://www.flickr.com/photos/bramorg/albums/72157687987294074

Filed under: Conference / lecture, , ,

Doc(k)s – readingclub

doc(k)skl

Doc(k)s 4éme Série Numéro 25/26/27/28. Edition AKENATON, Ajaccio. 2017.
ISSN DOC(K)S 0396/3004.

Page 204 – 207. 10 9 les machines, elles, ne buguent jamais ? 3 Pages de la session William Burroughs du readingclub.fr (à partir de La révolution électronique) et un texte collage de Annie Abrahams et Emmanuel Guez – nov 2014.

Lecteurs et lectrices : Colette Tron, Frédérique Vargoz et Emmanuel Vergès.

Filed under: Articles / Texts, Of interest, , , , , ,

#NeWWWorlDisorder

#NeWWWorlDisorder

29/07 2017 6-7.30 pm Paris time (12pm EDT)
#NeWWWorlDisorder broadcast performance on facebook
and the Third Space Network.

With : Annie Abrahams, Domenico Dom Barra, Michaël Borras A.K.A. Systaime, Curt Cloninger, Carla Gannis, Johann Baron Lanteigne, Patrick Lichty, Randall Packer, Daniel Pinheiro, Dominik Podsiadly, Craig Saper and Paul Wong.

Hosted by Randall Packer & Michaël Borras A.K.A Systaime.

How do we make sense of the resultant cacophony of our networked actions as they independently traverse the channels of our collective media space?

13 Different approaches united in one interface, where you can choose what / who to watch, listen to, where you are the mixer.

http://www.randallpacker.com/hyper-participatory-juxtapositions-social-broadcasting/

who

Who are my partners in this experiment? What does it mean to them to collectively conceive, to collaborate, to participate? What happens when you are aggregated? Can facebook also be a social space? Who are those facebookfriends I am streaming for? Do they also have agency? (how when, where) Who are my co-broadcasters? Are we doing something together? How will the local relate to the global? Can I reach someone? What will become of attention? Can I resist the flux, the stream, the spectacle, the show …

http://www.randallpacker.com/reordering-the-broadcast/

I am not #TV
I am not a #Medium
I am not #Media
I am not #Flux
#Real #D3sord3r
I am not a #Message
I am not #Facebook
I am not the #!nt3rn3t
W3 are the #NeWWWorlDisorder – are we?

Who are you?  – Let’s not forget this is an experiment and an experience.
Art is not an end in itself.

tot1_1200
Interactive performance archive thirdspacenetwork.com/newwworldisorder-video-wall .

call

Nobody called. It was a quite lonely endeavour. I ended up watching a lot of Curts stream, singing along with it and playing with Daniel and Lisa (without them knowing it). Nevertheless the archive is fantastic – great to see all these different approaches. Here is my broadcast:

Floating with Curt: 16:10 36:40 45:20 52:45-57:20 1:10:40-1:15:55 1:27:10 Playing with Daniel and Lisa: 1:17:00-1:26:00

Filed under: Event, Net art, networked performance, Performance, Video, , ,

Upcoming

* 5/3 – 16/3 Workshop La performance en ligne comme outil de dévoilement ? ESA La Réunion.

* 29/03 15h30 Online En-semble – Entanglement Training Online performance directed by Annie Abrahams with Antye Greie, Helen Varley Jamieson, Soyung Lee, Hương Ngô, Daniel Pinheiro and Igor Stromajer, Art of the Networked Practice symposium, School of Art, Design & Media, Nanyang Technological University, Singapore.
* April, Residency Lingagens in Künstlerhaus Villa Waldberta, Feldafing, Germany.
Magdalena München, 21/4 19h30 unaussprechbarlich, theater  Hoch X, München, 25/4 19h30, Meta Theater, Moosach.

* 26/05 12:00pm (UTC-4) haunted.by.waters Online performance directed by Curt Cloninger with Annie Abrahams, Alma Alloro, Jason Scott Furr, Carrie Gates, Peter Kusek, Justin Lincoln, Rosa Menkman, Randall Packer.

Find :

Join 62 other followers

Flickr bram.org


Annie Abrahams
%d bloggers like this: