net art, video, performance

Annie Abrahams

Participar en tiempo discontinuo

besides,

logoArchivoVirtual

Participar en tiempo discontinuo
Zara Rodríguez Prieto

Telón de fondo. Revista de teoría y crítica teatral, núm. 25, 2017, pp. 160-178.
ISSN 1669-6301
telóndefondo /25 (2017)

In the Virtual Archive for Performing Arts (AVAE), written in Spanish, Zara Rodríguez Prieto analyses besides, (page 165 – 170), the online performance project I did with Martina Ruhsam (2014 – ….), Blast Theory‘s Karen, and Miranda July‘s Somebody as examples of the different ways conversation and discourse participate in online performative practices.

Direct link to download the complete article. (18 pages)

Resumen
Este texto analiza el concepto de participación en prácticas artísticas performativas realizadas a través de internet. Mediante el análisis de tres obras el estudio aborda la idea de participación desde la conversación como dispositivo y desde la construcción del discurso a partir de la interacción en red. En ese proceso se atiende también a la fragmentación temporal de la conversación, impuesta por las características propias de la interacción virtual y a sus implicaciones en la creación de discurso en un espacio compartido.
Abstract
The text examines the concept of participation in performative artistic practices which have taken place through the Internet. Analyzing three pieces, this study addresses the idea of participation focusing on conversation as a device and on the forms of discourse developed since the beginning of networked interaction. The article also explores the temporal fragmentation of conversation imposed by the characteristics of virtual interaction and its implications for the creation of discourse in a shared space.

imflieger

What is visible and what is not? What escapes visibility? What (is) resisted the exhibition? What belongs to each temporal layer of reality / fiction? From these main issues (online meeting, how to be together in the distance, not becoming dominant, the conversation and the agency of objects) arise another series of secondary issues that affect, in one way or another, any online relationship such as the creation of a shared intimate space, the contingency, the corporal relationship, the silences and the fragmented communication.
Google translation of a description of besides, on the Archivo Virtual de Artes Escénicas (AVAE) website.

besides, started as a Turbulence commission made possible with funds from the National Endowment for the Arts.

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