net art, video, performance

Annie Abrahams

IDN festival 2009 // Barcelona

Presentation of studies for Huis Clos / No Exit

IDN festival [Imatge Dansa i Nous mitjans]
organized by NU2s, El Mercat de les Flors, Barcelona.
9th to 11th January 2008.

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“Insult me”, “Una, dos, tres, cuatro” etc. : 5 studies for Huis Clos / No Exit.

Studies for a protocol for
Huis Clos / No Exit
performance series by Annie Abrahams

21 Nov. 2008, L’animal a l’esquena, Celra, Spain.
International Laboratory “Interactive digital media on stage” Organisation Nu2’s.

Insult me!
High quality vimeo version available http://www.vimeo.com/2395921

Una dos tres cuatro
High quality vimeo version available http://www.vimeo.com/2453134

Show me your ugly face
High quality vimeo version available http://www.vimeo.com/2453280

Could you kiss me?
High quality vimeo version available http://www.vimeo.com/2453304

Push
High quality vimeo version available http://www.vimeo.com/2453351

9-10 January 2009. Presentation of  these studies and the project “Huis Clos / No Exit” at the Festival IDN, Mercat de les Flors, Barcelona, Spain.

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International Lab – NU2’s – Girona – Spain

From November 17th to 25th I am with Clément Charmet invited for the International Laboratory “Interactive digital media on stage” in L’animal a l’esquena, 17460 Celrà (GIRONA).
We will start working on my new web performance project “Huis Clos – No Exit” (info .pdf )

Other participants:
Eloi Maduell & Cia  http://www.playmodes.com/
Xavi Viadé & Cia http://www.isometrica.es
David Dalmazzo http://davmazo.net/
Aniara Rodado & Cia

And a group of experts:
Arturo Castro
Alex Posada http://www.nice-noise.org
Jean Marc Matos http://www.k-danse.net
Toni Mirá http://www.natsnus.com

INTERACTIVE DIGITAL MEDIA ON STAGE
From November 17 to 25, 2008.
Public presentation: November 22 at 6pm, L’Animal a l’esquena.

As part of our activities aimed at promoting the theory and practice of the use of interactive digital media in performance projects, NU2‘s is organising a new international lab for artists from various disciplines interested in sharing, analysing and developing ideas based on projects currently in progress.
Participants must be working on a project or want to develop a system that implies working with the body and the performer’s movement, regardless of whether the artist or group comes from the field of choreography, music or visual arts. A team of highly experienced professionals, programmers, choreographers and stage directors will help participants in their research and work towards bringing the projects to fruition.
The Laboratory is organised by NU2’s in collaboration with l’Animal a l’esquena, in the framework of the Euroregional project Corpus Media.
Registration is free, and the organisers will cover the costs of accommodation and meals for participating artists. Interested artists should contact NU2’s by sending an email to info@nu2s.org, and a decision will be made based on the project and previous work by the artist’s. Information.

Les études fait à cette occasion ont été présentées au festival IDN à El Mercat de les Flors, Barcelona le 9 et le 10 janvier 2009.
Le 11 juin 2009 le projet sera présenté dans the Thursday Club Event organisé par Goldsmiths Digital Studios, Londen.

Have a look at other images and videos of the laboratory.

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Upcoming

Beyond Convention?, Key note, Symposium Cyberperformance: Artistic and Pedagogical Practices, 29 - 30 June, Gambelas Campus, University of Algarve.

ffaille and con flicting, multilingual animated poetry, made for ELO 2023 (12-15/07).

Bientôt! Entretien au sujet de Distant Movements Annie Abrahams, Ivan Magrin-Chagnolleau, Alix de Morant, Dabiel Pinheiro, Muriel Piqué, p-e-r-f-o-r-m-a-n-c-e Création Research Vol.6 | 2022.

8 oktober 2023 tot en met 1 april 2024, Being Human presented in REBOOT, Nieuwe Instituut, Rotterdam.

Constallationsss with Alice Lenay, Pascale Barret, Alix Desaubliaux et occasionellement Gwendoline Samidoust et Carin Klonowski.

Distant Movements with Muriel Piqué and Daniel Pinheiro.

(E)stranger. Research on What language does to you or not.

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Annie Abrahams
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