net art, video, performance

Annie Abrahams

gender update

From 1999 people could deposit a wish on bram.org’s Being Human website.
Two days ago Monika Szűcsová (Curator and researcher, Faculty of Arts, Masaryk University Brno) and I presented the website at the Transformation Digital Art 2023 International symposium on the preservation of digital art at LI-MA, Amsterdam.

In the piece I asked for gender, which in 1999 consisted of female and male. If someone didn’t choose an option out of these two there was an error message and they couldn’t participate.*

It was kind of a shock. How could I have been excluding people not identifying with a binary gender? How could I have been so incredibly wrong?

Yesterday I updated the page and included non-binary.** I feel kind of relieved, but am now “haunted” by the idea of having elsewhere clear stupidities on the bram.org website (2560 items to check).

* At the time I wanted this, because I considered my online collections (for instance also on solitude, violence, fear) as representations of the voices of a multitude that might be studied at a later point.

** Of course there is more in “gender”: transgender, gender neutral, agender, pangender, genderqueer, two-spirit, third gender, and all, none or a combination of these.
https://www.medicalnewstoday.com/articles/types-of-gender-identity#types-of-gender-identity. (Thanks Monika for the link.)

Filed under: Net art, preservation, , , , , ,

Le Chœur Souhaitant II The Wish Choir II

Le chœur souhaitant II, Annie Abrahams, Performance with public participation in the frame of “ZOOM SUR LA CREATION : Net art et installation”, MJC Trencavel, Béziers, June 7 2008, 8 pm.
Organisation “Beziers Arts Actuels Forum” (BAAF), le CRAC Médias Forum and l’Espace Culture Multimédia du MJC.

1198 French wishes deposited on http://bram.org/wishes/index.php since 1999 were distributed among the public and read aloud by the public. Reading the 1198 wishes took four minutes.

The Wish Choir I Montréal galerie La Centrale 26 03 2008.

Filed under: Performance, , ,

Le Choeur Souhaitant / The Wish Choir

La Centrale Galerie Powerhouse Montréal installation performance in the frame of Sortir de l’écran / Spoken Screen. 26 03 2008.

Annie Abrahams reading Wishes

More photos

Wishes deposited on http://bram.org/wishes/index.php were distributed among the public and read aloud. In the mean time a french version of violence.exe was visible in the windowpane of the gallery. (English version soon to come)

Report : “Performance d’Annie Abrahams dans le cadre de la série Sortir de l’écran / Spoken screen” by Gabriel Gaudette for NT2, UQAM, Montréal.


perfcentrale

Joanne Lalonde et Jule Chateauvert pendant la lecture.

Filed under: Performance, , , , , , , ,

Upcoming

Beyond Convention?, Key note, Symposium Cyberperformance: Artistic and Pedagogical Practices, 29 - 30 June, Gambelas Campus, University of Algarve.

ffaille and con flicting, multilingual animated poetry, made for ELO 2023 (12-15/07).

Bientôt! Entretien au sujet de Distant Movements Annie Abrahams, Ivan Magrin-Chagnolleau, Alix de Morant, Dabiel Pinheiro, Muriel Piqué, p-e-r-f-o-r-m-a-n-c-e Création Research Vol.6 | 2022.

8 oktober 2023 tot en met 1 april 2024, Being Human presented in REBOOT, Nieuwe Instituut, Rotterdam.

Constallationsss with Alice Lenay, Pascale Barret, Alix Desaubliaux et occasionellement Gwendoline Samidoust et Carin Klonowski.

Distant Movements with Muriel Piqué and Daniel Pinheiro.

(E)stranger. Research on What language does to you or not.

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Annie Abrahams
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