le curateur fait la visite guidée (mardi’s le soir)
Vous êtes ICI est une exposition qui réunit les récits interactifs de Olia Lialina et Jean Le Gac, les monochromes incarnés de Raphael Rozendaal et Yves Klein, La douceur humaine de Annie Abrahams et Djamel Tatah, Les reprises endiablées de Alexei Shulgin et Ophélie Demurger, les compositions surréalistes de Nicolas Frespech et Mimmo Rotella et les visages magiques de Seumboy Vrainom et Gaelle Loth. Combinaisons savamment orchestrées par le curateur Valentin Godard.
Permanence : tous les mercredis de 17h à 18h. Visite guidée : les mardis soirs à 18h30 (inscription nécessaire par mail, à l’adresse suivante : artotheque@mairie-saint-priest.fr). Je conseille !
pendant le vernissage nous avons dansé avec Demurger sur Shulgin.
I used Midst, a software made by Annelyse Gelman to produce this text. “We hold no particular aesthetic allegiance, but we believe that poetry is a process, a way of thinking in language, engaging with language, attending to language. Poems are events. Poems are for everyone.“
Why is the use of videoconferencing so exhausting? An analysis on the demands. Video essay by ANNIE ABRAHAMS and DANIEL PINHEIRO.
Abrahams, A., Pinheiro, D., Carrasco, M., Zea, D., La Porta, T., de Manuel, A., … Varin, M. (2020). Embodiment and Social Distancing: Projects. Journal of Embodied Research, 3(2), 4 (27:52). DOI: http://doi.org/10.16995/jer.67
Traduction en français : Pourquoi l’utilisation de la visioconférence est-elle si épuisante? Une analyse. l’intimité est gênante l’intimité est gênante AUCUN APERÇU AUCUN APERÇU AUCUN APERÇU AUCUN APERÇU AUCUN APERÇU AUCUN APERÇU AUCUN APERÇU PAS DE VUE D’ENSEMBLE vous devez scanner l’écran en continu interruption(s) impossible de détecter des détails subtils pas de détail l’imagination remplace les signes secondaires de la communication et ceux-ci doivent être traités sur leur utilité nous sommes enclins à vérifier notre propre image tout le temps comme si nous avions besoin d’une assurance continue que la connexion existe toujours tout le son est mélangé dans un environnement sonore mono, cela conduit à une compression de l’espace partagé, nous devons deviner d’où vient le son distraction(s) toi, je et moi une situation triangulaire dans laquelle nous nous sentons et nous regardons nous-mêmes et les autres … c’est psychologiquement exigeant: notre cerveau doit traiter le soi comme corps et comme image interruption(s) vous ne voyez les visages de près que lorsque vous êtes bébé dans un berceau ou avec un amoureux au lit vous ne voyez les visages de près que lorsque vous êtes bébé dans un berceau ou avec un amoureux au lit il y a du délai nous ne sommes jamais exactement dans le même temps / espace Tout cela contribue à un épuisement. Nous essayons de dépasser les limites des environnements artificiels sans prendre en compte ses spécificités. Que se passe-t-il si nous supprimons les sens que nous utilisons le plus pour communiquer? Et si nous fermons les yeux et ne parlons pas. Qu’est-ce qui reste?
Svp si vous utilisez ce texte citez l’original : Abrahams, A., Pinheiro, D., Carrasco, M., Zea, D., La Porta, T., de Manuel, A., … Varin, M. (2020). Embodiment and Social Distancing: Projects. Journal of Embodied Research, 3(2), 4 (27:52). DOI: http://doi.org/10.16995/jer.67
Breathing by Utterings* Online Performance STWST48x6 MORE LESS Live-Stream + Screening in the Club Venue Fri, Sept 11, 19:00 – 19:30 Stadtwerkstatt, Linz, Au.
If you want to assist connect at 18h55 to https://zoom.us/j/93113189232 Pass: breath View recommandations : When you enter, your video and audio will be turned OFF, please leave it that way, if you click on the “up arrow” next to your camera icon ((lower left-hand toolbar) your VIDEO SETTINGS can be accessed, go to “video settings”, click the box “Hide non-video participants”. Then the performers only will be visible. Select “Gallery View” in upper right corner of the ZOOM window to see the group.
With the 6th edition of the 48-hour showcase extravaganza, Stadtwerkstatt asks questions about the more-or-less situations, the counter-validity zones and the non-zero-sum games of the future. It is all and nothing about rational and irrational approaches in larger contexts, driven by questions of MORE, LESS, and above all of the OTHER.
Happy that my piece The Big Kiss from 2008 will be reperformed by Thomas Geiger in the 4th Festival of Minimal Actions on the 25th of July at 18h. Kunsthalle Wien, Reumannplatz, July 15–August 2, 2020
Concept: Thomas Geiger Realisation: Kunsthalle Wien as part of KISS Curated by: Laura Amann, Anne Faucheret, Aziza Harmel, WHW
“As part of KISS, Thomas Geiger will realize a new edition of his Festival of Minimal Actions (previously staged in Brussels, 2014; Paris, 2015 and San José, 2018). In what could be considered a reawakening of performative works, Geiger creates situations that deal with the possibilities and impossibilities of physical interaction, affection, intimacy, and romance in public space during periods of pandemic…
…The festival – the main premise of which is a belief in the independence of performative works from their authors – brings together a concise selection of works by other artists that Geiger will reperform at Reumannplatz. Through the changed social, political, and temporal contexts between their original performance and this one, the works gain additional facets and shed some of their original aspects.” Extracted from the exhibition text by Laura Amann, 2020.
Reperformed will be original works from Annie Abrahams (NL) • Breda Beban (SRB) • Sergio Rojas Chaves (CR) • Anetta Mona Chisa (RO) & Lucia Tkacova (SK) • Dora Garcia (ESP) • Vitya Gluchenko (UKR) • Javier González Pesce (CL) • Igor Grubic (HRV) • Satoshi Hashimoto (JP) • Adrien Missika (FR) • Cesare Pietroiusti (IT) • Neža Knez (SK) • Jiří Kovanda (CZ) • Donna Kukama (SA) • Alina Lupu (RO) • Ewa Partum (PL) • Charlotte Seidel (DE) • David Sherry (UK) • Yann Vanderme (FR). All original performances are describes at the festival’s website. I wish I lived in Wien for a few days.
Since February I have been participating in monthly meetings with elo people. We gather in zoom for a two hour salon session, that each time is led by someone else.
Johannah Rodgers has been publishing its background and write-ups of the meetings on Facebook. I have collected these in one .pdf available to those interested. (I hope you are ok with this Johannah)
A list of titles to give you a first taste of what we treated until now: Feb 11 – Kirill Azernyi – A Discussion of a Nika Skandiaka Poem and Reading “Electronically” Tools Zoom. Mar 10 – Annie Abrahams – A“reariting” centered on “Extra-terrestrial Rhetoric,” a multimedia text by Lily Robert-Foley. Tools Zoom and Framapad. Apr 14 – Deena Larsen – Collaborative Writing With Spreadsheets Fantasy Lunch. Tools Zoom and Google spreadsheet. May 12 – Reham Hosny – Re-Weaving Digital Textualities with Amira Hanafi’s “A Dictionary of the Revolution” Tools Zoom and browser. June 9 Lyle Skains – “E-lit in the Wild”. Tools Zoom, Googledoc and browser.
Upcoming – Aug 11 – Alan Sondheim – Sept 8 – Bill Bly – Oct 13 – Caitlin Fisher – Nov 10 Johannah Rogers.
What does it mean to be together apart? How can we create and share ideas from an (un)distance? In this experimental panel we will explore the topic “(un)distance” as a way to b(e/r)ing us together and to share ideas over various (di)stances and (di)scourses. We will center around long-distance writing practices, and will self-reflexively discuss how effective on-line community discussion works.
You could have participated watching the video conference while at the same time joining in a collaborative reariting on a framapad. If you click on the clock icon topright in the framapad you can see a cinamatographic image of the reawriting – a historique dynamique.
The framapad is a site for your thoughts and longer discussions, for questioning/commenting/digressing/feeding and disturbing the (un)distance elo panel before, during and after its effectuation.
two snapshots of the reariting in framapad
The panel will be moderated by Annie Abrahams and Anna Nacher on zoom, Deena Larsen and Johannah Rodgers in the framapad. The panel participants are Eugenio Tisselli, Kirill Azernyy, Renee Carmichael, and Roderick Coover.
