net art, video, performance

Annie Abrahams

Meeting Outranspo

Outranspo (Ouvroir de translation potencial) is a motley group of multilingual translators, writers, researchers and musicians who joyously devote themselves to creative approaches to translation. More information here.

Last Friday they invited me to one of their monthly online meetings.

I did a short introduction to my from estranger to e-stranger book (available as .pdf and as paperback), read some fragments from it and then we went to the ReadingClub.

outranspoBulb

First session : 10 minutes – 3 authors – colors.
Result:
Galvin <3, Mistère and a Volga boatman
http://readingclub.fr/pad/58de383953621f374d000003

(please wait a few sec before pushing the arrow – the timeline needs to be loaded)

Second session : 10 minutes – 3 authors –  no colors.
Result:
Kein …. recul, keine Ablösragung
http://readingclub.fr/pad/58de3a6553621f374d00000

Outranspo discovered how, in this interface, an imposed limited number of characters influences the collective reading / writing experience. In the ReadingClub you have to erase to continue to write – in the ReadingClub you are collaborating and fighting at the same time.

Afterwards Chris remarked: “It changes how we relate to writing in time. Instead of seeing writing as an end result you can see it as a permanent present.”
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(: Outranspo told me I am Outranspo by anticipation. :)

Filed under: Collective writing, Event, , , , , ,

Co-incidences 18 – Yann Le Guennec

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Yann Le Guennec.
Co-incidences no 18.
Revue d’arts et créations.
ISBN 9781326828899

Avec :

Sylvie Bourguet, Annie Abrahams, Olivier Auber, Ann Guillaume, Antoine Moreau, Laurent Neyssensas.

p 41 – 50 version spéciale “who’s afraid of ? La vie en intelligence collective” – les archives – une pièce de théâtre en deux actes d’après un échange émail de 2005 entre les membres du groupe Lieudit.

Vous pouvez acheter Co-incidences 18 en version papier ou le regarder en ligne.

Je suis fière d’avoir participé à ce beau numéro qui rend hommage a cet artiste intéressant disparu trop tôt.

page50-51

Filed under: Articles / Texts, Net art, Of interest, , , ,

ϟℙ∀ℳℳ▁ℙϴШ€ℜ – Beyond (spectacle) – test – glitched

SPAMMbeyondGlitch

ϟℙ∀ℳℳ▁ℙϴШ€ℜ

SPAMM_POWER

Curators : Ellectra Radikal & Systaime

ϟℙ∀ℳℳ is a virtual online museum dedicated to digital arts and emerging cultures.

BEYOND (SPECTACLE) – TEST GLITCHED
Original performance test with Igor Stromajer.
Performance Writing Weekend – ELMCIP Seminar 2012 – Arnolfini Bristol.

Filed under: Exhibition, Net art, , , , ,

workshop + conférence au CNAC

22-24/03 2017 Workshop Performance en Réseau – Introduction au Centre National des Arts du Cirque à Châlons en Champagne. Avec les étudiants de l’Ecole Boulle en DSAA1 Événementiel et médiation et les étudiants de la 30ème promotion du CNAC.
cnacCirqueDouble

Préparation / déroulement du workshop .pdf
23 Captures d’écran plus photos sur flickr.
Exercisesexister en double – toucher à distance – coördination – jouer la taille – le rapport – le monstre – la rencontre (ou pas) – disposition, abstraction, rhytme, mouvement de la webcam.

Exercice : deux webcams et un objet en mouvement.

23/03 2017 18h00. Conférence au CNAC
La beauté dans l’erreur ? – Oser le désaccord et la contradiction !
Qu’est-ce qu’une performance dématérialisée ? Est-ce que cela existe ? En montrant des exemples comme Angry Women et Angry Men, Annie Abrahams parlera des ses spécificités. Elle abordera le rôle du corps en ligne. Elle crée un espace liminal d’expérimentations, de rencontres, un espace intime, presque vierge, un ailleurs pour découvrir un mouvement pur. Le travail d’Annie Abrahams se base sur une esthétique de l’attention et de la confiance. Il dévoile ce qui est caché et met en avant ce qu’on n’a pas envie de voir. Annie Abrahams revendique la beauté de l’erreur et de la maladresse.
C’est une position politique, une opposition, un contre, mais aussi une réparation, une restauration, une correction, une thérapie, une cure, un antidote.
Que pourrait être un tel approche dans un environnement, ici au CNAC, où l’erreur peut être fatal et la maladresse un outil ? Nous allons essayer d’y réfléchir ensemble.

Preparation de la conférence performée .pdf

Vidéo d’un moment très spécial de cette conférence – lecture sur l’intra-action (Karen Barad)

Merci A Cyril Thomas, Claire Brisson et Eric Dubois pour l’invitation et la confiance.

Filed under: Conference / lecture, Performance, Workshop, , ,

An organic acceptance of silence?

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liminal space – pure motion – an intimate regard – a field of light – dissolved, destabilized – an altered state – a telematic embrace – a silent small reprieve – hanging out with friends – machines conversing across the network only when the noisy humans finally shut up

This was the first time we (Daniel Pinheiro, Lisa Parra and Annie Abrahams) invited people to join us in our online performance experiment Distant Feeling(s) #3. The performance was projected as part of the festival Visions in the Nunnery gallery (London).
After the performance the surprise was great when, in the video, I saw the silent faces of others joining us for a shorter or longer time.

How does it feel to share an interface with eyes closed and no talking?

How did it feel?

When you participated, when you took the time to connect and join, you tried to feel the others and became more and more concentrated on being in a liminal space.

Watching the projection or the video, you could see this concentration, these faces who more and more descended into “pure motion”; these faces that abandonned real space and got elsewhere – you were allowed an intimate “regard”.

Here is my reaction (e-mail to Daniel and Lisa) just after the performance : “Felt “lost” – disturbed by the idea that there were “sneekers, peekers – disturbed also by my own curiosity, by my wish to see who was there and how they looked with closed eyes.
I felt light, as if I were in a field of light, changing, living light, not with human beings, and probably because that frightened me I tried to visualize you both, to imagine, how, where you were, I tried to make something I could understand of what I felt – as if you were familiar to me – I never met you – but still, apparently you became reassuring, close.
When I opened my eyes, everything became normal, just people, nice people around me on a screen. They have become more familiar now too. Looking at the screenshots of this session I feel grateful for their presence (they made the light).

Disolved I felt.
Maybe even empty. Certainly destabilised.
This may sound mystic, but in fact it might have been a very concrete experience – just the light flickering of the in- and out-going participants shimmering through my eyelids provoking an altered state?”

This is Randall Packer‘s reaction to it in a facebook discussion afterwards : “It was wonderfull – Like your work The Kiss, or Paul Sermon’s telematic pieces, the sensation of intimacy is never “real,” it is based on the willingness to believe and to allow closeness to become “real” despite separation. For those who participated in this experiment, it was exactly that: the willingness to suspend one’s belief in the knowledge of the virtual proximity and connectiveness of the others. It is that knowledge that can can be convincing enough to suspend disbelief and thus be silently wrapped in the telematic embrace. This work is a great model for how we might conduct ourselves on the Internet.”

Johannes Birringer on the same occasion. “I was waiting for silence to fall, after the chatter. when it occured, there was no embrace. but a faint sensation of sharing a silent small reprieve, over the constant noise and anger of the world, but an alonesilence as one could not see the others. it is the strangest experience, to be alonesilentblind with assumed others somewhere out there.”

And Nicolaas Schmidt called it “hanging out with friends…”.

Ruth Catlow, who was among the public at the Nunnery remarked : “Was it machine feedback… that mechanical clicking and beeping? The machines conversing across the network only when the noisy humans finally shut up! Like the toys that come alive in the magic toyshop when the children are asleep. I wanted it to get louder and louder till the whole world rang out- WE MACHINES ARE HERE AND WE ARE COMMUNICATING!
To what Randall reacted : “I love your observation that once the network is silenced of human conversation, all that is left is the hum of networked devices, the “nervous system” of the Net.”

Daniel Pinheiro compiled more reactions on Landproject.

On January 16th 2017, Muriel Piqué watched the video and wrote :

Silence / Silence
Je fouille l’image du silence / I explore the image of silence
Des têtes se tournent lentement / Heads turn slowly
8’44 un chien aboie au loin / 8’44 a dog barks far off
Je lis la résistance des corps à l’immobilité / I read the resistance of bodies to immobility
Je ressens l’acceptation organique du silence / I feel the organic acceptance of silence

And all the time the machines kept talking, exchanging data, making noise …

Some time ago I watched an interview by Gretta Louw with Sandra Danilovic in Second Life. They talk, among others, about our readiness to relate to an avatar in a bodily and emotional way. Why? Is there an evolutionary base for that? Sandra states, that, in our subconcious, we don’t percieve the self as an atomised individual identity, that precognitively we percieve the environment as a part of ourselves. Would such a thought be helpfull to understand better what happens? And is it true?

Filed under: networked performance, Performance, , , , , , , , , , , ,

Stranger Collaborations – London Art Fair.

18 – 22 January 2017,
London Art Fair, the Art Projects Screening Room,
Stranger Collaborations.
Curation Pryle Behrman.

Artists in the show:
Annie Abrahams (Angry Women Take 2), Émilie Brout & Maxime Marion (Glitter), Ruth Catlow (Time Is Speeding Up), Liz Sterry (Drinking Alone) and Michael Szpakowski (Shit Happens in Vegas).

Stranger Collaborations is an exhibition featuring artworks that in some way wouldn’t have been possible without the collaborations formed via the internet, showing how strangers can, sometimes even unknowingly, create an artistic partnership online.

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Liz Sterry, ‘Drinking Alone with the Internet, Star Wars Edition, Take 1’.

The artworks of Annie Abrahams and Liz Sterry create temporary communities that are ‘safe spaces’ in which socially-proscribed behaviours – such as public anger or private alcohol consumption – are accepted and even embraced. Mark Westall, short interview of Pryle Behrman in Fadmagazine.

What to see at the London Art Fair 2017? Art Fund_  Jan 11.

Filed under: Exhibition, Video, , , , , ,

poésie numérique – OPP*

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Retour sur la Master class Poésie numérique (2 nov. 2016) sur le site de lr2l.

Enregistrement sur mixcloud. 1:44:09.

.pdf de la preparation du masterclass
.pdf avec des liens vers les textes produits

Quelques phots :

*OPP = OpenSourcePedagogy

Filed under: Collective writing, Conference / lecture, e-literature, Workshop, , , , ,

Distant Feelings #3 – VisionS.

Thursday 24 Nov.
6.30 pm London time, 19h30 Paris time.
Duration 15 min.
Timeconvertor for other places.

To participate Download the zoom.us application https://zoom.us/download – desktop or other devices – and “Join meeting” ID = 630407193: https://zoom.us/j/630407193 .

VisionS in the Nunnery Programme 2 Launch.
Curated by Tessa Garland and Cinzia Cremona.
The Nunnery, 181 Bow Road, London E3 2SJ.
Visions full programme. (5/10 – 18/12 2016)

visions_002

Lisa Parra in New York, USA,
Daniel Pinheiro in Porto, Portugal and
Annie Abrahams in Montpellier, France
will gather in an online séance trying to experience each other’s presence.

How does it feel to share an interface with eyes closed and no talking?

You can participate in this digital mindfulness experiment.
Download the zoom.us application – desktop or other devices – and “Join meeting” ID = 630407193: https://zoom.us/j/630407193 at the right time.

Some members of the public at the Nunnery will also be able to join in.

visions-logo-large

The piece presented by Annie Abrahams (Distant Feeling(s) #1) continues the research of an artist who challenges the relational utopias attributed to the internet by creating performances which reveal empty yet precious moments, and the banality of interpersonal relations. The performance links Abrahams to two other artists (Daniel Pinheiro & Lisa Parra); from three different locations the three seek to communicate sensations and emotions. Cinzia Cremona (one of the curators) in ARSHAKE  Oct. 3 2016.

Filed under: Event, networked performance, Performance, , , , , , , ,

OpenSourcePPP attitude.

rapport1Dans l’espoir que celles-ci peuvent servir à d’autres artistes, enseignants et chercheurs je publie les scores/scripts de mes performances, mes préparations pour mes workshops, conférences etc. en ligne.
Je pense ne pas être la seule qui le fait. Comment en parler? Comment promouvoir cette attitude ? Sous quel intitulé ?

OSPPP (pédagogie, protocole, performance script), OSC (course), OSW (walkthrough)

Voici ceux concernant mon passage au Digital Lab de l’ESBA au Mans, 15 novembre 2016 :

* .pdf Préparation pour le workshop performance en réseau, 2 heures, 6 personnes.

* .pdf Walkthrough pour la conférence Un parcours atypique, 2 heures.

abstrait1

touch

Filed under: Conference / lecture, networked performance, Performance, Workshop, , , , ,

Ecrire avec un apparatus

Ecrire avec… Master class par Annie Abrahams
2 nov. 2016.
RIRRA21, l’Université Paul Valéry Montpellier 3 en partenariat avec LR livre et lecture.

.pdf de la preparation du masterclass (open source pedagogy)
.pdf avec des liens vers les textes produits

wattsappbarchenvacancesameraide-toiframapadkllecture

Je ne m’exprime pas sur qu’est-ce que c’est la poésie électronique, numérique etc. Vous êtes écrivains, poètes, étudiants intéressées. Ça me suffit, vous écrirez à partir de votre idée de la poésie. Et puisque vous écrirai ensemble dans / avec un même apparatus nous aurons un mélange d’approches, un métissage, une hybridation. Vous ne serez pas le seul auteur. Il faut inventer des nouvelles langages (plusieurs fois) pour comprendre les possibilités et la radicalité de l’écriture en ligne tel que je la comprends. Extrait du texte de préparation d’Annie Abrahams.

Retour sur la Master class Poésie numérique sur le site de lr2l (déc 2016).

Filed under: Collective writing, Conference / lecture, e-literature, Event, Workshop, , , ,

Upcoming

* 18/06 2017 11h. Talk Networked performance art and engagement - What is and Why Agency Art? Internet, Arte y Compromiso, Centre Culturel Puertas de Castilla (Murcia).
* 19/06 2017 20h30. Une pratique du texte numérique qui dévoile. Invitation Yan Rucar, Centre culturel international de Cerisy-la-Salle.
* 21/07 10PM Performance Ours Lingages, ELO 2017, Mosteiro de São Bento da Vitória, Porto.

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