net art, video, performance

Annie Abrahams

Méthodologie / Methodology V1 – Constallations

Method fleur style.

.pdf fr & .pdf Eng

La méthodologie Constallations sert à aborder des constellations, peu importe leur nature, par l’installation d’une procédure collective. C’est une méthode de mise en mouvement, qui emprunte aux étoiles ses chemins indéterminés.

What must be put into play to make Constallations appear?
Conditions – Necessary attitude – Tools – Protocol
Why write a methodology, a “how to”?
Why would it be important to describe the Constallations methodology?

Each session is always also a gesture of love. Intuition, intellect and machines blend together and create an affect. The path fantasized by the one who organizes, the one who desires, becomes a labyrinth of encounters, bifurcations, digressions, a pure sensory juice of entanglement. The research is done with a benevolence that is inseparable from it: without kindness nothing would emerge.

https://constallations.hotglue.me/?methodologie

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Filed under: Articles / Texts, Net art, Performance, research, , , , , ,

About all things languages of all sorts

June 20, 8:15pm (UTC+01:00)
lingagens an online ReadingClub ***** session. Duration 20 min.
Lai-TzeFan, Abdulmohsen Alonayq, Sören Pold and Andréa Catrópa will rearite a text originally written by Erika Fülöp.

To join connect to readingclub.fr on the 20th and wait for the performance to start. You can comment, ask questions and discuss the reariting via the chat window. The logfile of the chatwindow will be archived alongside the cinematographic recording of the lingagens session.

The reariting will be projected live as a part of lingagens: a performance by me (Annie Abrahams) at the The Gregson Centre in the frame of the Language INTER Networks conference at the Lancaster University.

Also on the 20th at 3:30pm (UTC+01:00) I will give a talk named with/in languages – a pretty pathetic.
The complete schedule of the conference here.

*****

* The Reading Club is an online collective reading and writing project started by Annie Abrahams and Emmanuel Guez in 2013.
More information:
http://readingclub.fr/info/
– The ReadingClub nominated for the Netbased Award 2018 of H3K Basel. April 2018.
– Included in Electronic Literature Collection volume 3, Cambridge Massachusetts. ISSN: 1932-2016, February 2016
– Pop’lab, n°14, décembre 2014. Download PDF file. 20 pages.
In the Reading Club, reading is not unthought. Annie Abrahams and Emmanuel Guez interviewed by Annick Rivoire, furtherfield. 24-10-2013.
– Included in the show Erreur d’Impression, publier à l’ère du numérique, Jeu de Paume, Paris. Curator Alessandro Ludovico. November 2013.

Filed under: Conference / lecture, e-literature, Languages, networked performance, Performance, , , , , ,

Laboratoire de Traverse #11 – Ecrans

Laboratoire de Traverse #11
– une proposition de la Cie In VitroMarine Mane à Reims
Écrans : surfaces de projection et projections de soi.
Qu’est-ce que l’écran fait de nous ?
Du lundi 13 au samedi 18 mai 2019 : Les Subsistances / Labo NRV– Lyon

Avec Pierre-Marie Baudoin, Amélie Berrodier, Christine Develotte, Maxime Freitas, Mathilde Gentil, Mélissa Golebiewski, Agathe Herry, Marion Julien, Alice Lenay, Rachel Martin et Arianna Rodeghiero.

Dramaturges et coordinatrices : Marine Mane et Elise Blaché.

Une semaine de travail à 14. Une semaine où j’ai pu partager ma passion pour la performance / la rencontre, la co-responsabilité, le se sentir à distance. A la recherche des conditions d’une relation écranique sensible.

se reveiller ensemble à distance – 15 min de connexion zoom – le dernier jour
… chacune est guidé dans l’intimité, au creux de l’oreille par une voix bienveillante mais qui est à distance. Il y a une sensation de transcender les frontières.
le matin au reveil 10 min yeux fermés, sans parler

Préparations Annie Abrahams (intervenante invitée) :
Queeriser le Dommage .pdf
Performance en réseau / webcam .pdf
Qui agence quoi ? VR .pdf
Transmission et Reformulation .pdf

Plus de traces photos, texte, réactions bientôt.

trois personnes, trois téléphones connectés à zoom, un violon, deux danseurs, une série de gestes dansés

Filed under: research, Workshop, , , , , ,

3G Constallations #10 + méthodologie

One year ago we: the group 3G(enerations) Alix Desaubliaux, Pascale Barret and Annie Abrahams, started a research project called Constallations. Using challenges and surprises, we defied each other in nine sessions of what Annie called contemporary net art, Pascale a non-binary inclusive laboratory and Alix performative & collaborative explorations.

ISELP, Institut d’Art Contemporain, invited 3G to come to Brussels for their 10th, this time real-life, session.
Saturday, Mai 25, 16h you are welcome to meet the three artists and Sandra Bébié-Valérian of OUDEIS at the Boulevard de Waterloo in Brussels.
Sandra will give a short talk where she analyses the project in the frame of OUDEIS’ Autorama project. Pascale, Alix and Annie will present their recently written Methodology of Constallations* and will try to translate it’s essence to the real space of the exhibition Waiting to blossom *Constallations by Pascale Barret.
Could be an object, a performance, a reading, a text, an installation …. or a mix of all this.

Constallations is devoid of a goal and has no predetermined path. Constallations is what we are when we give up our personal objectives and, when, based on our own history and skills, we tackle a challenge prepared by one of the group.
Constallations is made of travels through things one doesn’t control, of jumps in the void. Constallations is an exploration full of unexpected discoveries.

Constallations is a learning tool / a practice radically open to everything.
Constallations is a concrete utopia – on a small scale, and temporary, it must be said – but it is, and so carries a hope for a different society.
It’s a perspective.
Constallations is a path, an adventure, a chemistry, a soup that upsets habits and creates links.

Wall installation Constallations à L’ISELP

* The Methodology of Constallations will also be available in English and French on the Constallations website after the 25th.

Filed under: Event, Exhibition, , , , , , , ,

Digital Canon (1960–2000) of the Netherlands

Nice to find out my work Being Human (1997 – 2007) is part of the Digital Canon (1960–2000) of the Netherlands, yes!
With among others Michel Waisvisz, Martine Neddam, Peter Struycken, JODI, Peter Luining, Jan Robert Leegte, Steina, Jeffrey Shaw …

The Digital Canon was compiled by LIMA media art platform in 2018, in collaboration with Josephine Bosma, Martijn van Boven, Annet Dekker, Sandra Fauconnier and Jan Robert Leegte.
The primary objective of the project is to add these digital works to the collective cultural memory and to fuel the discussion about the selection and preservation of digital art. 

Experts from the field of digital culture selected twenty of the most prominent and influential works made on Dutch soil by artists who lived or worked here over a long period of time.

Being Human is the name of a collection of dynamic, interlinked, net specific works in which Annie Abrahams explores the possibilities and limits of online communication.

Read the rest of this entry »

Filed under: Exhibition, Net art, Of interest, , ,

rire …

Dans le cadre de 3G Constallations nous avons fait une recherche autour du rire. Nous c’est Alice Lenay, Gwendoline Samidoust, Annie Abrahams, Alix Desaubliaux et Carine Klonowski.

le rire est indomptable

le conscient joue avec,
mais il se loge dans l’inconscient,

c’est un langage

Le processus, nos idées, protocoles, des liens vers nos captures vidéo sur ce pad.

Une journée, d’écriture, d’expérimentations performatives en ligne. Un debrief une semaine après.

Maintenant : nous sommes prêtes pour faire une performance autour du, avec, dans le “rire” – 15 min, sans possibilité de sortir de l’écran – pur, brut – il nous faut une occasion pour ….

Filed under: networked performance, Performance, research, , ,

Waiting to blossom * Constallations expo.

Constallations est invitée dans l’exposition de Pascale Barret à l’ISELP arts contemporains à Bruxelles.
Vernissage 28 mars à 18h30 avec Music for a Code: performance de Pascale Barret avec Anne Bernard et Tristan Droillard à 19h et 20h.
Exposition du 29 mars- 8 juin 2019.
L’ISELP, Boulevard de Waterloo, 31 B-1000 Bruxelles.

Constallations, un projet 3G(enerations) : Annie Abrahams (Montpellier), Pascale Barret (Bruxelles) et Alix Desaubliaux (Lyon). Trois artistes, trois femmes, trois générations, se retrouvent en ligne pour un projet de rencontre où le faire est utilisé comme instrument pour défaire sa propre réflexivité, sa subjectivité systématisée et pour se lire les unes à travers les autres afin de générer des moments créatifs et inattendus.

Filed under: Exhibition, , ,

Wikifémia

Wikifémia, la réseau des Computer grrrls par Roberte Larousse.
http://wikifemia.org/wikifemia/computer_grrrls/index.html

Annie Abrahams in Wikifémia

Wikifémia met en lumière des biographies de femmes remarquables telles qu’elles figurent dans les articles de Wikipédia. Cette programme, basée sur l’arborescence de la version francophone de l’encyclopédie en ligne, offre aux visiteuses une visualisation documentée de centaines de femmes qui ont contribuée à l’histoire de l’informatique. Les articles sont traduites en française, c’est-à-dire entièrement à la féminine, afin de démasculiniser autant la langue française que l’histoire.

Filed under: Event, , ,

Web Retro – I only have my name.

I Only Have My Name | 나는 내 이름만 가지고 있을 뿐이다 (1999)
Annie Abrahams| 애니 아브라함스
will be presented in
WEB-RETRO / 웹-레트로 展
12 March – 9 June 2019.

web retro Seoul Museum of Art

This exhibition focuses on the World Wide Web, which has been fundamentally reconditioning communication, image production, consumption and artistic practice for the last 30 years, and revises the new arts that have been tried through the net historically.

An exhibition to commemorate the 30th anniversary of World Wide Web and to illuminate the works and activities based on the internet / experimental works of art using the internet as the form and environment of art.
The purpose of the online archive is to construct a topographical map that can explore the contemporary, cultural, and technological context of internet art, to supplement the exhibition of art galleries contextually and to share information about the flow with a longer breath. 

200 Works of 167 artists, ranging from past attempts at internet art to recent art works based on network and online, are classified by period to provide a foundation for deeper research.

SeMA 립미술 Seoul Museum of Contemporary Art, Seoul 2, Project Gallery 2.

Filed under: Exhibition, , , , ,

Appel à candidature : Écrans – Cie In Vitro Labs.

Appel à candidatures pour le Laboratoire de traverse #11 – Écrans : surfaces de projection et projections de soi. Qu’est-ce que l’écran fait de nous? qui se déroulera du 13 au 18 mai 2019 à Lyon aux Subsistances sous la houlette de l’artiste et performeuse Annie Abrahams.
Dramaturges et coordinatrices : Marine Mane et Elise Blaché – Cie In Vitro Reims
Les Laboratoires de Traverse

Un labo ouvert à toutes les têtes chercheuses : metteur.e.s en scène, chorégraphes, interprètes, circassien.n.e.s, plasticien.n.e.s, musicien.n.e.s, universitaires ou autodidactes de la pensée, pour tenter collectivement d’appréhender ce que les écrans font de nous.
Clôture des candidatures : le 10 avril 2019

Filed under: research, , ,

Upcoming

  • 7/07 7pm participation in Radio Play by Rohanne Udall & Paul Hughes.
  • 15-17/07 Diffractive Reading in the Reading Club. Paper presentation. #PEAE Artist presentation. #ELOcork.
  • 26/09 19h30 Distant Feelings #6 opening performance Video Vortex, Valletta, Malta.
  • 7-12/10 Magdalena Montpellier performance et table ronde.
  • 12/10 – 25/01 Exposition Angry Women take1 in Hadaly et Sowana, cyborgs et sorcières, l’Espace Gantner, Centre d’Art Contemporain, Bourogne.

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Annie Abrahams
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