net art, video, performance

Annie Abrahams

Distant Feeling(s) #4

Screen shot 2016-11-24 at 10.27.26 PM

An online ritual of contemplation on our situation of being together while being separated.

December 1st, 7.30 – 7.45pm
(Paris time – find your time here).
Online.
Open to all.
If you want to join us, you need to install the zoom application on your computer or cell phone and connect from 7.25pm to meeting no 3210554238.
https://zoom.us/j/3210554238

Distant Feeling(s) #4, fourth session in a series of online webcam meetings trying to experience each other’s presence eyes closed and no talking.

Distant Feeling(s) #4, the first of a livelong yearly reconnection. An ever-changing re-enactment of our intra-action with machines.

Distant Feeling(s) is a project by Lisa Parra, New York, USA, Daniel Pinheiro, Porto, Portugal and Annie Abrahams, Montpellier, France.

The project was “born” in 2015 out of an invitation to Annie to be part of Lisa and Daniel’s work Placelessness – the result of an artistic residency in Guimarães (Portugal) of their LAND PROJECT – in an encounter where both Annie and Lisa shared a blind, silent moment together while connecting from remote locations; this ‘encounter’ gave place to a format of its own – one where the artists would meet and purposely, during a set period of time, repeat the experiment.

AnnieLisa

In 2016 we organised three different séances, each one providing insight into the specities of the context where by silently not seeing, only hearing our surroundings and the machines working to keep the connection, a temporal space was created allowing for contemplation upon togetherness while being separated. The co-presence of machines and humans – a temporal phenomenon interpreted differently by all.

The memories of this state of being together created for Daniel, Lisa and Annie, who live far away from each other, a longing to experience it again, and again.

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Filed under: networked performance,

Conférence sur canapé, Design, dasein, lasagnes… Oudeis

En juillet dernier : deux jours d’expérimentation, de performance avec OUDEIS. Un régal.
Venez le mercredi 22 et jeudi 23 novembre, 18h, à Ganges pour les Apéros Sonores au Café du Siècle. Ce sera une suite sonore des Conférences sur canapé dans le cadre du festival En chantier …!

Design, dasein, lasagnes.. Version longue. 10 min. Version courte 2 min. ici

Avec Dorian Reunkrilerk, Annie Abrahams, Manuel Fadat, Sandra et Gaspard Bébié-Valérian.
Juillet 2017

La Conférence sur canapé est un dispositif performatif en perpétuelle évolution, réunissant en un temps et un espace donné un certain nombre d’individus, de technologies, d’énergies, de matériaux, pour une expérience collective, avec ou sans spectateurs, connecté ou non, sur le web, autour d’une figure, d’une pensée, d’un discours, de propos, que des performers accompagnent, modèrent, parasitent, lissent, perturbent, interpellent. Situation inédite, indéterministe, la Conférence sur canapé explore, délivre plus qu’elle livre, elle n’est jamais en échec.

Interroger le confort – qu’en est-il aujourd’hui de la question du confort, que traduit-il de notre conduite au monde ? partir dans l’espace – en espace. Quel est notre rapport aux objets en apesanteur ?
Nous habitons des volumes, plus des surfaces ou des sols. L’espace met à défaut le corps et ses habitudes. (passage octave de gaulle).
La négociation du corps avec son environnement n’existe plus, il n’est plus visqueux.
Sur terre, considérons le corps comme une matière visqueuse qui s’échoit sur des objets. Je m’asseois et je négocie. Le choc des particules.
Quand le beurre est coupé, le couteau est affecté.
Le confort est le contraire : la présence de l’environnement matériel disparaît. Le confort c’est l’espace. C’est dans la chute libre que je négocie le moins avec les particules – je fais le moins d’effort. Confort, du latin confortare, dérivé de com-fortis, c a d soulager d’une peine, d’un effort. Didier Faustino – Opus incertum
Dois-t-on réellement chercher le moindre des effort ? Bruno Munari – recherche de confort dans un fauteuil inconfortable. Munari va à l’encontre du processus de mort. Xavier Bichat, 1800 : la vie réunit l’ensemble des fonctions qui résistent à la mort. En ce sens, le confort, participe à l’accélaration du processus de mort.
Reversible Destiny – Arakawa Shusaku et Madeline Gins – ne pas mourir.
Faire l’effort de faire autrement – avoir des possibilités et des paramètres. Ne pas se sentir dans une injontion d’un usage équivoque. Ethique joyeuse du corps visqueux.
Le confort serait-il justement le paramétrage ? Dorian Reunkrilerk

Filed under: Event, Performance, , , , , ,

Cultural Matter: Olia Lialina

Olia Lialina‘s distributed Summer GIF will be exhibited in the Cultural Matter program of LIMA Amsterdam.

24 Nov. 2017 – 3 Jan. 2018.
24 Nov. 8pm. Opening.

I am happy to be distantly part of this – I am swinging with Olia since 2013 http://bram.org/olia/summer.

At LIMA, this leading artwork will see itself in a new site specific presentation that will be enriched with documentation material. During the exhibition two public events will take place to shed light on both the art historical and material implications of the work.

…. The animation’s 18 still images are located on 26 different websites, with each site redirecting the browser from one server to the next, displaying the images in sequence, thus creating a cross-domain animation. ….

Cultural Matter is a series of exhibitions and events that provides a platform for the international discussion of digital art and aims to develop new strategies for the presentation and preservation of these artworks.

Filed under: Exhibition, Net art, , , ,

Participar en tiempo discontinuo

besides,

logoArchivoVirtual

Participar en tiempo discontinuo
Zara Rodríguez Prieto

Telón de fondo. Revista de teoría y crítica teatral, núm. 25, 2017, pp. 160-178.
ISSN 1669-6301
telóndefondo /25 (2017)

In the Virtual Archive for Performing Arts (AVAE), written in Spanish, Zara Rodríguez Prieto analyses besides, (page 165 – 170), the online performance project I did with Martina Ruhsam (2014 – ….), Blast Theory‘s Karen, and Miranda July‘s Somebody as examples of the different ways conversation and discourse participate in online performative practices.

Direct link to download the complete article. (18 pages)

Resumen
Este texto analiza el concepto de participación en prácticas artísticas performativas realizadas a través de internet. Mediante el análisis de tres obras el estudio aborda la idea de participación desde la conversación como dispositivo y desde la construcción del discurso a partir de la interacción en red. En ese proceso se atiende también a la fragmentación temporal de la conversación, impuesta por las características propias de la interacción virtual y a sus implicaciones en la creación de discurso en un espacio compartido.
Abstract
The text examines the concept of participation in performative artistic practices which have taken place through the Internet. Analyzing three pieces, this study addresses the idea of participation focusing on conversation as a device and on the forms of discourse developed since the beginning of networked interaction. The article also explores the temporal fragmentation of conversation imposed by the characteristics of virtual interaction and its implications for the creation of discourse in a shared space.

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What is visible and what is not? What escapes visibility? What (is) resisted the exhibition? What belongs to each temporal layer of reality / fiction? From these main issues (online meeting, how to be together in the distance, not becoming dominant, the conversation and the agency of objects) arise another series of secondary issues that affect, in one way or another, any online relationship such as the creation of a shared intimate space, the contingency, the corporal relationship, the silences and the fragmented communication.
Google translation of a description of besides, on the Archivo Virtual de Artes Escénicas (AVAE) website.

besides, started as a Turbulence commission made possible with funds from the National Endowment for the Arts.

Filed under: Articles / Texts, networked performance, Performance, , , , , ,

Ours Lingages – Documentation

Ours Lingages
Performance by
Annie Abrahams concept, script, reading, singing

with
Daniel Pinheiro computing, dancing, singing, video editing
Isabel Costa dancing, reading
Igor Stromajer {0§n–3¦é×F= Miá†} soundpoem in Portuguese
Outranspo – Lily Robert-Foley, Camille Bloomfield and Jonathan Baillehache reawriting
Jan de Weille reawriting
Rui Torres translation
Helen Varley Jamieson tchat queen
Anna Tolkacheva live video capturing
Public volunteers holding Isabel Costa upside down
All breathing

21/07 2017 10.15 PM, Mosteiro de São Bento da Vitória, Porto,
Electronic Literature Organisation conference ELO 2017.

Announcement

Script .pdf

We nooses tous des bastardi elettronici che usano lingue globali cinematographic archive of the readingclub session.

internetMae

Read the rest of this entry »

Filed under: Collective writing, Conference / lecture, e-literature, Performance, , , , , , , , , , , , ,

Frauen Theater Festival


Freitag 10.11.2017

16 Uhr        Performance: UNAUSSPRECHBARLICH – Annie Abrahams, (NL/FR) & Helen Varley Jamieson (NZ/GE).

4:30 pm      Forum: Women in movement; the challenge of integration: Body, language and immigration.

Antagon Halle, Orberstrasse 57, Frankfurt am Main.

Ones body and language also create ones identity. The role of the women differs from country to country and region to region. In the present moment of immigration, this silently accepted role suddenly is questioned. How does the concept of the woman change within different countries? How can these women, who are moving away from their homeland, react to this question? How do we, as women, move within the cosmopolitical world? To get to know another culture creates challenges, that we can only face individually.

The performance of the artists Abrahams and Jamieson deals with exactly this experience to live in between different cultures and in other countries.
Invited for a conversation: Annie Abrahams (biologist, net-artist and pioneer of thenetworking performance-art from Netherlands), Helen Varley Jamieson (writer, theatre-maker, digital artist from New Zealand and member of the board of Magdalena Project), Violeta Luna (performative artist and activist from Mexico, living in San Francisco), Ute Bansemir and Ewgenija Weiß (director of „theaterperipherie“).

Filed under: Conference / lecture, Of interest, Performance,

Addictive Behaviours – interview

annie-abrahams3

For the new Furtherfield website’s “debate” section Ruth Catlow and Marc Garrett asked me to reflect on the limits and potentials of art and human agency in the context of increased global automation.

Addictive Behaviours: Interview with Artist Annie Abrahams

Triggered by their questions I talked about the difficulty to describe my artistic work in institutional contexts and how in a conversation with a friend I tried to explain my interest in Agency Art. Using this term means being able to make cross sections through disciplines and opening up closed domains of practice. I also talk about a lack of res-ponsability in online affect management and my mistrust in the influence of algorithms produced by  machines themselves.

The interview is part of an editorial series, alongside the Are We All Addicts Now? exhibition, book, symposium and event series at Furtherfield.
Are We All Addicts Now? Is an artist research project led by Katriona Beales.

In the same series there is also a delicious prose-poem-hex from artist and poet Francesca da Rimini (aka doll yoko, GashGirl, liquid_nation, Fury) who traces a timeline of network seduction, imaginative production and addictive spaces from early Muds and Moos.

Filed under: Articles / Texts, , , , , , , , , , , , ,

Apparatus_is {Other-s}

include_body

01/11 19h Paris time
Online

Apparatus_is {Other-s}

Readingclub session for

SCRIPTING THE OTHER,
a pavilion of The Wrong Biennale,
Nov 1, 2017 – Jan 31, 2018.
Curated by Noemata.

Reariting / licriture session
with
Renee Carmichael, Emmanuel Guez, Nick Montfort and Zombectro.

Based on a text by Annie Abrahams.
Duration 20 min.

You can join us on Wednesday the first at 19h in the readingclub.fr.
Find your time here.

yield_void

Look at the moving archive here .
Read the interesting “bar-talk” text from the tchat here.

Proposed text: apparatus .pdf.

Filed under: Collective writing, Event, networked performance, Performance, , , , , , , , ,

Faces Graz unaussprechbarlich

faces2

Freitag, 13.10.2017 um 19:30 Uhr.
Schaumbad – Freies Atelierhaus Graz
Puchstraße 41
8020 Graz, Österreich.

Wir sind eingeladen für Faces: gender, art, technology – 20 years of interactions, connections and collaborations Ausstellung und Symposium.

Performance “Unaussprechbarlich”.
Mit Helen Varley Jamieson in Graz, Osterreich und Annie Abrahams in Montpellier, Frankreich verbunden durch eine Webcam.
Mehr Information über die Veranstaltung am Freitag hier.

faces
More information about the Faces network.

More information on unaussprechbarlich .

Filed under: Performance, , ,

L’entrelangue à trois

LEtrois

Samedi 28 Octobre, 20h – 21h
Rencontre performatif
+ after discussion.
Entrée et prix libre, buffet participatif.

Espace o25rjj, l’art contemporain chez l’habitant,
chez Pascale Ciapp et Thomas Andro (merci),
25 rue Jean Jaurès, 34140 LOUPIAN.
06 10 02 97 23 / 04 34 80 21 42

Comme une personne qui ne s’identifie ni absolument à un sexe, un lieu ou une langue, comme une traduction déboussolée par l’intrusion d’une tierce langue, l’Entrelangue est un chantier de l’incompréhension.

Nous avons commencé par une rencontre, un rassemblement, une assemblée de deux et ensuite trois êtres: Annie Abrahams, Lily Robert-Foley et Christophe Beyler. En cela l’entrelangue est comparable à un système qui ne se voudrait pas finir à deux, comme un système de genre ou de sexe qui s’exprimerait mal confiné au binaire: l’homofemme, la femmomme, la famâle, le malelle, le mascinin, ou le femulin, l’hom’man ou la womme.

La langue en traduction, le genre en transition, autrement dit, démantèlent les structures qui lient les mots aux choses, les discours aux réalités. C’est parmi les morceaux éparpillés que les performances de l’Entrelangue commencent.

quatre-cinq.jpgPreparations avant.

8 photos de la performance sur flickr

Après réaction de Christophe dans un e-mail à Annie et Lily: Cela suppose, tout comme dans l’analyse, la rencontre d’une langue dans la confrontation d’une autre et la faire passer à d’autres, dans le va-et-vient de l’entre-deux-langues, d’une langue à l’autre, où trébuche ce qui grince, ne va pas et où l’imprévu se faufile au travers des nuances. Expérience de l’étranger. C. Fontana
Cristina Fontana, Graciela Strada «Transcription d’un séminaire de Lacan : une expérience de cartel», Essaim 2001/1 (no7), p. 161-169.

Filed under: Performance, , , , ,

Upcoming

* 4-9/12 Qu(o)i <=> agence <=> Quand Résidence Labo NRV, ENSBA Lyon et Les Subsistances, Lyon.

* 29/03 15h30 Online En-semble – Entanglement Training with Antye Greie, Helen Varley Jamieson, Soyung Lee, Hương Ngô, Daniel Pinheiro and Igor Stromajer, Art of the Networked Practice symposium, School of Art, Design & Media, Nanyang Technological University, Singapore.
* April, Residency Lingagens in Künstlerhaus Villa Waldberta, Feldafing, Germany.

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